Gustave Caillebotte Retrospective - Paris

Gustave Caillebotte Retrospective - Paris

Visitors look on Gustave Caillebotte’s paintings at the Musee d’Orsay on November 27, 2024 in Paris, France. For around a century, Gustave Caillebotte was the most discreet of the Impressionists, only coming back into the spotlight in 1994, when the Grand Palais in Paris celebrated the centenary of his death in 1894 through a memorable retrospective. Ever since, the French painter has been the subject of several exhibitions from London to Washington, D.C. to Switzerland. Now, the Musee d’Orsay in Paris, the J. Paul Getty Museum in Los Angeles, and the Art Institute of Chicago have joined forces to examine Caillebotte anew, with a sweeping retrospective “Painting Men,” which runs through January in Paris, before heading to LA next spring and then Chicago next summer. Despite the acclaim the artist has received over the past three decades, he still remains a bit of a mystery, a major focus of the exhibition which also coincides with the 130th anniversary of the artist’s passing. Photo by Jean Pierre Nguyen Van

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    Gustave Caillebotte Retrospective - Paris

    Gustave Caillebotte Retrospective - Paris

    Visitors look on Gustave Caillebotte’s paintings at the Musee d’Orsay on November 27, 2024 in Paris, France. For around a century, Gustave Caillebotte was the most discreet of the Impressionists, only coming back into the spotlight in 1994, when the Grand Palais in Paris celebrated the centenary of his death in 1894 through a memorable retrospective. Ever since, the French painter has been the subject of several exhibitions from London to Washington, D.C. to Switzerland. Now, the Musee d’Orsay in Paris, the J. Paul Getty Museum in Los Angeles, and the Art Institute of Chicago have joined forces to examine Caillebotte anew, with a sweeping retrospective “Painting Men,” which runs through January in Paris, before heading to LA next spring and then Chicago next summer. Despite the acclaim the artist has received over the past three decades, he still remains a bit of a mystery, a major focus of the exhibition which also coincides with the 130th anniversary of the artist’s passing. Photo by Jean Pierre Nguyen Van
      Gustave Caillebotte Retrospective - Paris

      Gustave Caillebotte Retrospective - Paris

      Visitors look on Gustave Caillebotte’s paintings at the Musee d’Orsay on November 27, 2024 in Paris, France. For around a century, Gustave Caillebotte was the most discreet of the Impressionists, only coming back into the spotlight in 1994, when the Grand Palais in Paris celebrated the centenary of his death in 1894 through a memorable retrospective. Ever since, the French painter has been the subject of several exhibitions from London to Washington, D.C. to Switzerland. Now, the Musee d’Orsay in Paris, the J. Paul Getty Museum in Los Angeles, and the Art Institute of Chicago have joined forces to examine Caillebotte anew, with a sweeping retrospective “Painting Men,” which runs through January in Paris, before heading to LA next spring and then Chicago next summer. Despite the acclaim the artist has received over the past three decades, he still remains a bit of a mystery, a major focus of the exhibition which also coincides with the 130th anniversary of the artist’s passing. Photo by Jean Pierre Nguyen Van
        Gustave Caillebotte Retrospective - Paris

        Gustave Caillebotte Retrospective - Paris

        Visitors look on Gustave Caillebotte’s paintings at the Musee d’Orsay on November 27, 2024 in Paris, France. For around a century, Gustave Caillebotte was the most discreet of the Impressionists, only coming back into the spotlight in 1994, when the Grand Palais in Paris celebrated the centenary of his death in 1894 through a memorable retrospective. Ever since, the French painter has been the subject of several exhibitions from London to Washington, D.C. to Switzerland. Now, the Musee d’Orsay in Paris, the J. Paul Getty Museum in Los Angeles, and the Art Institute of Chicago have joined forces to examine Caillebotte anew, with a sweeping retrospective “Painting Men,” which runs through January in Paris, before heading to LA next spring and then Chicago next summer. Despite the acclaim the artist has received over the past three decades, he still remains a bit of a mystery, a major focus of the exhibition which also coincides with the 130th anniversary of the artist’s passing. Photo by Jean Pierre Nguyen Van
          Gustave Caillebotte Retrospective - Paris

          Gustave Caillebotte Retrospective - Paris

          Visitors look on Gustave Caillebotte’s paintings at the Musee d’Orsay on November 27, 2024 in Paris, France. For around a century, Gustave Caillebotte was the most discreet of the Impressionists, only coming back into the spotlight in 1994, when the Grand Palais in Paris celebrated the centenary of his death in 1894 through a memorable retrospective. Ever since, the French painter has been the subject of several exhibitions from London to Washington, D.C. to Switzerland. Now, the Musee d’Orsay in Paris, the J. Paul Getty Museum in Los Angeles, and the Art Institute of Chicago have joined forces to examine Caillebotte anew, with a sweeping retrospective “Painting Men,” which runs through January in Paris, before heading to LA next spring and then Chicago next summer. Despite the acclaim the artist has received over the past three decades, he still remains a bit of a mystery, a major focus of the exhibition which also coincides with the 130th anniversary of the artist’s passing. Photo by Jean Pierre Nguyen Van
            Gustave Caillebotte Retrospective - Paris

            Gustave Caillebotte Retrospective - Paris

            Visitors look on Gustave Caillebotte’s paintings at the Musee d’Orsay on November 27, 2024 in Paris, France. For around a century, Gustave Caillebotte was the most discreet of the Impressionists, only coming back into the spotlight in 1994, when the Grand Palais in Paris celebrated the centenary of his death in 1894 through a memorable retrospective. Ever since, the French painter has been the subject of several exhibitions from London to Washington, D.C. to Switzerland. Now, the Musee d’Orsay in Paris, the J. Paul Getty Museum in Los Angeles, and the Art Institute of Chicago have joined forces to examine Caillebotte anew, with a sweeping retrospective “Painting Men,” which runs through January in Paris, before heading to LA next spring and then Chicago next summer. Despite the acclaim the artist has received over the past three decades, he still remains a bit of a mystery, a major focus of the exhibition which also coincides with the 130th anniversary of the artist’s passing. Photo by Jean Pierre Nguyen Van
              Gustave Caillebotte Retrospective - Paris

              Gustave Caillebotte Retrospective - Paris

              Visitors look on Gustave Caillebotte’s paintings at the Musee d’Orsay on November 27, 2024 in Paris, France. For around a century, Gustave Caillebotte was the most discreet of the Impressionists, only coming back into the spotlight in 1994, when the Grand Palais in Paris celebrated the centenary of his death in 1894 through a memorable retrospective. Ever since, the French painter has been the subject of several exhibitions from London to Washington, D.C. to Switzerland. Now, the Musee d’Orsay in Paris, the J. Paul Getty Museum in Los Angeles, and the Art Institute of Chicago have joined forces to examine Caillebotte anew, with a sweeping retrospective “Painting Men,” which runs through January in Paris, before heading to LA next spring and then Chicago next summer. Despite the acclaim the artist has received over the past three decades, he still remains a bit of a mystery, a major focus of the exhibition which also coincides with the 130th anniversary of the artist’s passing. Photo by Jean Pierre Nguyen Van
                Gustave Caillebotte Retrospective - Paris

                Gustave Caillebotte Retrospective - Paris

                Visitors look on Gustave Caillebotte’s paintings at the Musee d’Orsay on November 27, 2024 in Paris, France. For around a century, Gustave Caillebotte was the most discreet of the Impressionists, only coming back into the spotlight in 1994, when the Grand Palais in Paris celebrated the centenary of his death in 1894 through a memorable retrospective. Ever since, the French painter has been the subject of several exhibitions from London to Washington, D.C. to Switzerland. Now, the Musee d’Orsay in Paris, the J. Paul Getty Museum in Los Angeles, and the Art Institute of Chicago have joined forces to examine Caillebotte anew, with a sweeping retrospective “Painting Men,” which runs through January in Paris, before heading to LA next spring and then Chicago next summer. Despite the acclaim the artist has received over the past three decades, he still remains a bit of a mystery, a major focus of the exhibition which also coincides with the 130th anniversary of the artist’s passing. Photo by Jean Pierre Nguyen Van
                  Gustave Caillebotte Retrospective - Paris

                  Gustave Caillebotte Retrospective - Paris

                  Visitors look on Gustave Caillebotte’s paintings at the Musee d’Orsay on November 27, 2024 in Paris, France. For around a century, Gustave Caillebotte was the most discreet of the Impressionists, only coming back into the spotlight in 1994, when the Grand Palais in Paris celebrated the centenary of his death in 1894 through a memorable retrospective. Ever since, the French painter has been the subject of several exhibitions from London to Washington, D.C. to Switzerland. Now, the Musee d’Orsay in Paris, the J. Paul Getty Museum in Los Angeles, and the Art Institute of Chicago have joined forces to examine Caillebotte anew, with a sweeping retrospective “Painting Men,” which runs through January in Paris, before heading to LA next spring and then Chicago next summer. Despite the acclaim the artist has received over the past three decades, he still remains a bit of a mystery, a major focus of the exhibition which also coincides with the 130th anniversary of the artist’s passing. Photo by Jean Pierre Nguyen Van
                    Gustave Caillebotte Retrospective - Paris

                    Gustave Caillebotte Retrospective - Paris

                    Visitors look on Gustave Caillebotte’s paintings at the Musee d’Orsay on November 27, 2024 in Paris, France. For around a century, Gustave Caillebotte was the most discreet of the Impressionists, only coming back into the spotlight in 1994, when the Grand Palais in Paris celebrated the centenary of his death in 1894 through a memorable retrospective. Ever since, the French painter has been the subject of several exhibitions from London to Washington, D.C. to Switzerland. Now, the Musee d’Orsay in Paris, the J. Paul Getty Museum in Los Angeles, and the Art Institute of Chicago have joined forces to examine Caillebotte anew, with a sweeping retrospective “Painting Men,” which runs through January in Paris, before heading to LA next spring and then Chicago next summer. Despite the acclaim the artist has received over the past three decades, he still remains a bit of a mystery, a major focus of the exhibition which also coincides with the 130th anniversary of the artist’s passing. Photo by Jean Pierre Nguyen Van
                      Gustave Caillebotte Retrospective - Paris

                      Gustave Caillebotte Retrospective - Paris

                      Visitors look on Gustave Caillebotte’s paintings at the Musee d’Orsay on November 27, 2024 in Paris, France. For around a century, Gustave Caillebotte was the most discreet of the Impressionists, only coming back into the spotlight in 1994, when the Grand Palais in Paris celebrated the centenary of his death in 1894 through a memorable retrospective. Ever since, the French painter has been the subject of several exhibitions from London to Washington, D.C. to Switzerland. Now, the Musee d’Orsay in Paris, the J. Paul Getty Museum in Los Angeles, and the Art Institute of Chicago have joined forces to examine Caillebotte anew, with a sweeping retrospective “Painting Men,” which runs through January in Paris, before heading to LA next spring and then Chicago next summer. Despite the acclaim the artist has received over the past three decades, he still remains a bit of a mystery, a major focus of the exhibition which also coincides with the 130th anniversary of the artist’s passing. Photo by Jean Pierre Nguyen Van