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CLOSER

CLOSER [US / BR 2004] JULIA ROBERTS Date: 2004

A metal

A metal spool with 2,000 feet of 35mm Technicolor safety film printed by the dye-transfer system. The extreme warping of the film indicatess that it is badly affected by a deterioration commonly known as 'the vinegar syndrome' This can make the film, as in this case, unshowable because of the film's buckled surface.

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A roll

A roll of 2,000 feet of 35mm Technicolor safety film printed by the dye-transfer system. The extreme warping of the film indicatess that it is badly affected by a deterioration commonly known as 'the vinegar syndrome' This can make the film, as in this case, unshowable because of the film's buckled surface.

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KEN GORDON

KEN GORDON British Pathe News cameraman with a Bell and Howell Eyemo 35mm movie camera. He began filming news events in 1910.

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BILL JORDAN

BILL JORDAN British Pathe News cameraman with a Bell and Howell Eyemo 35mm movie camera BILL JORDAN British Pathe News cameraman with a Bell and Howell Eyemo 35mm movie camera

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A metal

A metal spool with 2,000 feet of 35mm Technicolor safety film printed by the dye-transfer system. The extreme warping of the film indicatess that it is badly affected by a deterioration commonly known as 'the vinegar syndrome' This can make the film, as in this case, unshowable because of the film's buckled surface.

E

A metal

A metal spool with 2,000 feet of 35mm Technicolor safety film printed by the dye-transfer system. The extreme warping of the film indicatess that it is badly affected by a deterioration commonly known as 'the vinegar syndrome' This can make the film, as in this case, unshowable because of the film's buckled surface.

E

A metal

A metal spool with 2,000 feet of 35mm Technicolor safety film printed by the dye-transfer system. The extreme warping of the film indicatess that it is badly affected by a deterioration commonly known as 'the vinegar syndrome' This can make the film, as in this case, unshowable because of the film's buckled surface.

E

JOCK GEMMELL

JOCK GEMMELL British Pathe News cameraman with a Newman Sinclair 35mm movie camera. He joined the film industry in 1910.

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A metal

A metal spool with 2,000 feet of 35mm Technicolor safety film printed by the dye-transfer system. The extreme warping of the film indicatess that it is badly affected by a deterioration commonly known as 'the vinegar syndrome' This can make the film, as in this case, unshowable because of the film's buckled surface.

E

A metal

A metal spool with 2,000 feet of 35mm Technicolor safety film printed by the dye-transfer system. The extreme warping of the film indicatess that it is badly affected by a deterioration commonly known as 'the vinegar syndrome' This can make the film, as in this case, unshowable because of the film's buckled surface.

E

A metal

A metal spool with 2,000 feet of 35mm Technicolor safety film printed by the dye-transfer system. The extreme warping of the film indicatess that it is badly affected by a deterioration commonly known as 'the vinegar syndrome' This can make the film, as in this case, unshowable because of the film's buckled surface.

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35MM FILMSTRIP SHOWING VARIABLE AREA OPTICAL SOUNDTRACK

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Mobile Cinema Van

SHELL D'ARCY MOBILE CINEMA VAN interior with Phillips 35mm film projector spoolbox doors open

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Mobile Cinema Van

SHELL D'ARCY MOBILE CINEMA VAN interior with Phillips 35mm film projector spoolbox doors closed

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DAVID GILLESPIE

DAVID GILLESPIE [1921 - 2008] from left - HAROLD FRENCH, actor, producer, theatre and film director, DAVID GILLESPIE film collector, RICHARD BRIERS, actor. Richard Briers drove his 97 year old friend Harold to film collector David's house in Barnes for Harold to see himself as a young actor in a screening of an original 35mm nitrate print of the 1932 film 'When London Sleeps', screened on the Westar projector seen behind through the window

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JOHN RUDKIN, British Pathe News cameraman with a Bell and Ho

JOHN RUDKIN, British Pathe News cameraman with a Bell and Howell Eyemo 35mm movie camera

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A WILLIAMSON TOPICAL FILM CAMERA MODEL NO. 7 FOR 35mm MOVING

A WILLIAMSON TOPICAL FILM CAMERA MODEL NO. 7 FOR 35mm MOVING PICTURE FILM

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PROFESSIONAL PROJECTOR FOR SCREENING 35MM FILMS MADE UNDER T

PROFESSIONAL PROJECTOR FOR SCREENING 35MM FILMS MADE UNDER THE VITAPHONE BANNER. THE PICTURE PROJECTOR HEAD IS A SIMPLEX MODEL MADE BY THE INTERNATIONAL PROJECTOR CORPORATION, THE SOUND TURNTABLE, SPEED CONTROL BOX AND AMPLIFIERS ARE PRODUCED BY THE WESTERN ELECTRIC COMPANY WHO DEVELOPED THE SYSTEM IN ASSOCIATION WITH WARNER BROTHERS STUDIO. NOTE THE LONG VERTICAL ROD BEHIND THE EQUIPMENT WHICH ADJUSTS THE CARBON RODS IN THE ARC LAMP, POWERED BY THE ELECTRIC MOTOR ON THE FLOOR. THE LARGE MOTOR WHICH DRIVES THE PROJECTOR, ALSO DRIVES THE TURNTABLE WITH THE SOUND RECORD.

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KALEE PROJECTOR for 35mm cinema film Late 1910's KALEE PROJE

KALEE PROJECTOR for 35mm cinema film Late 1910's KALEE PROJECTOR for 35mm cinema film Late 1910's [?]

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A DIAGRAM ILLUSTRATING A SCENE FROM SOUTH PACIFIC BEING PROJ

A DIAGRAM ILLUSTRATING A SCENE FROM SOUTH PACIFIC BEING PROJECTED FROM 70MM FILM, WIDER THAN THE STANDARD 35MM Illustration of a scene from the 1958 film South Pacific being projected from 70mm film, wider than the standard 35mm.

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EARLY BRITISH FILM-MAKER GEORGE ALBERT SMITH IN RETIREMENT O

EARLY BRITISH FILM-MAKER GEORGE ALBERT SMITH IN RETIREMENT OUTSIDE HIS 'ARCH' ON THE BRIGHTON SEAFRONT 1957 35MM TRANSPARENCY BY GRAHAM HEAD PICTURE FROM THE RONALD GRANT ARCHIVE

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