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Maldives: Shark Swallows Diver’s Camera and Spits It Back Out

On October 21, 2025, in the Maldives, a video captured an astonishing moment during a recreational diving session when a curious shark swallowed and then spat out a Chinese diver’s underwater camera. The shark suddenly appeared and bit into the device, swallowing it completely. For several seconds, the camera continued recording from inside the shark’s mouth, capturing flashes of sharp teeth and swirling water. The diver later told reporters that he felt terrified when the shark approached and immediately swam back to the boat after retrieving the camera.

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China: Workers Rescue Dog From Deep Water Well After Fall

A heartwarming video from Tianjin, China, captured the moment that construction workers joined forces to rescue a dog that had fallen into a deep, narrow water well on October 25, 2025. The team slowly lowered a cord toward the frightened animal, and as the dog bit the line, they carefully coordinated the pull and lifted the animal to safety.

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China: Clever Cat Opens Door Gap to Enter Room in Zhejiang

On October 7, 2025, in Zhejiang, eastern China, a funny home video featured a black-and-white “cow-patterned” cat trying to enter a room through a narrow door gap. The clever feline crossed its front paws and repeatedly pulled at the door, widening the opening bit by bit. After a few graceful movements, the cat finally squeezed through and strutted inside.

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China: Owner Helps Pet Gecko Shed Skin Using Straw

On August 6, 2025, in Hebei province, located in northern China, a video recorded a pet leopard gecko during its shedding period. The owner decided to assist the reptile with the process. Holding the gecko’s body steady, the owner used a straw to create a small opening in the skin. Bit by bit, the old white layer was peeled away like removing a glove. The gecko reacted with small grimaces, but the shedding was completed successfully. The clip fascinated viewers who rarely see such close-up animal care.

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Exclu - Antoine Dupont at an event - Paris AJ

Exclusif - Close up Portrait of French rugby player Antoine Dupont and Bit Panda CEO Eric Demuth during an evening organized by Bitpanda of which he is ambassador and Societé Général-Forge at Pavillon Pressbourg in Paris, France on January 22, 2025. Photo by Alexis Jumeau/ABACAPRESS.COM

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Gustave Caillebotte Retrospective - Paris

Visitors look on Gustave Caillebotte’s paintings at the Musee d’Orsay on November 27, 2024 in Paris, France. For around a century, Gustave Caillebotte was the most discreet of the Impressionists, only coming back into the spotlight in 1994, when the Grand Palais in Paris celebrated the centenary of his death in 1894 through a memorable retrospective. Ever since, the French painter has been the subject of several exhibitions from London to Washington, D.C. to Switzerland. Now, the Musee d’Orsay in Paris, the J. Paul Getty Museum in Los Angeles, and the Art Institute of Chicago have joined forces to examine Caillebotte anew, with a sweeping retrospective “Painting Men,” which runs through January in Paris, before heading to LA next spring and then Chicago next summer. Despite the acclaim the artist has received over the past three decades, he still remains a bit of a mystery, a major focus of the exhibition which also coincides with the 130th anniversary of the artist’s passing. Photo by Jean Pierre Nguyen Van

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Gustave Caillebotte Retrospective - Paris

Visitors look on Gustave Caillebotte’s paintings at the Musee d’Orsay on November 27, 2024 in Paris, France. For around a century, Gustave Caillebotte was the most discreet of the Impressionists, only coming back into the spotlight in 1994, when the Grand Palais in Paris celebrated the centenary of his death in 1894 through a memorable retrospective. Ever since, the French painter has been the subject of several exhibitions from London to Washington, D.C. to Switzerland. Now, the Musee d’Orsay in Paris, the J. Paul Getty Museum in Los Angeles, and the Art Institute of Chicago have joined forces to examine Caillebotte anew, with a sweeping retrospective “Painting Men,” which runs through January in Paris, before heading to LA next spring and then Chicago next summer. Despite the acclaim the artist has received over the past three decades, he still remains a bit of a mystery, a major focus of the exhibition which also coincides with the 130th anniversary of the artist’s passing. Photo by Jean Pierre Nguyen Van

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Gustave Caillebotte Retrospective - Paris

Visitors look on Gustave Caillebotte’s paintings at the Musee d’Orsay on November 27, 2024 in Paris, France. For around a century, Gustave Caillebotte was the most discreet of the Impressionists, only coming back into the spotlight in 1994, when the Grand Palais in Paris celebrated the centenary of his death in 1894 through a memorable retrospective. Ever since, the French painter has been the subject of several exhibitions from London to Washington, D.C. to Switzerland. Now, the Musee d’Orsay in Paris, the J. Paul Getty Museum in Los Angeles, and the Art Institute of Chicago have joined forces to examine Caillebotte anew, with a sweeping retrospective “Painting Men,” which runs through January in Paris, before heading to LA next spring and then Chicago next summer. Despite the acclaim the artist has received over the past three decades, he still remains a bit of a mystery, a major focus of the exhibition which also coincides with the 130th anniversary of the artist’s passing. Photo by Jean Pierre Nguyen Van

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Gustave Caillebotte Retrospective - Paris

Visitors look on Gustave Caillebotte’s paintings at the Musee d’Orsay on November 27, 2024 in Paris, France. For around a century, Gustave Caillebotte was the most discreet of the Impressionists, only coming back into the spotlight in 1994, when the Grand Palais in Paris celebrated the centenary of his death in 1894 through a memorable retrospective. Ever since, the French painter has been the subject of several exhibitions from London to Washington, D.C. to Switzerland. Now, the Musee d’Orsay in Paris, the J. Paul Getty Museum in Los Angeles, and the Art Institute of Chicago have joined forces to examine Caillebotte anew, with a sweeping retrospective “Painting Men,” which runs through January in Paris, before heading to LA next spring and then Chicago next summer. Despite the acclaim the artist has received over the past three decades, he still remains a bit of a mystery, a major focus of the exhibition which also coincides with the 130th anniversary of the artist’s passing. Photo by Jean Pierre Nguyen Van

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Gustave Caillebotte Retrospective - Paris

Visitors look on Gustave Caillebotte’s paintings at the Musee d’Orsay on November 27, 2024 in Paris, France. For around a century, Gustave Caillebotte was the most discreet of the Impressionists, only coming back into the spotlight in 1994, when the Grand Palais in Paris celebrated the centenary of his death in 1894 through a memorable retrospective. Ever since, the French painter has been the subject of several exhibitions from London to Washington, D.C. to Switzerland. Now, the Musee d’Orsay in Paris, the J. Paul Getty Museum in Los Angeles, and the Art Institute of Chicago have joined forces to examine Caillebotte anew, with a sweeping retrospective “Painting Men,” which runs through January in Paris, before heading to LA next spring and then Chicago next summer. Despite the acclaim the artist has received over the past three decades, he still remains a bit of a mystery, a major focus of the exhibition which also coincides with the 130th anniversary of the artist’s passing. Photo by Jean Pierre Nguyen Van

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Gustave Caillebotte Retrospective - Paris

Visitors look on Gustave Caillebotte’s paintings at the Musee d’Orsay on November 27, 2024 in Paris, France. For around a century, Gustave Caillebotte was the most discreet of the Impressionists, only coming back into the spotlight in 1994, when the Grand Palais in Paris celebrated the centenary of his death in 1894 through a memorable retrospective. Ever since, the French painter has been the subject of several exhibitions from London to Washington, D.C. to Switzerland. Now, the Musee d’Orsay in Paris, the J. Paul Getty Museum in Los Angeles, and the Art Institute of Chicago have joined forces to examine Caillebotte anew, with a sweeping retrospective “Painting Men,” which runs through January in Paris, before heading to LA next spring and then Chicago next summer. Despite the acclaim the artist has received over the past three decades, he still remains a bit of a mystery, a major focus of the exhibition which also coincides with the 130th anniversary of the artist’s passing. Photo by Jean Pierre Nguyen Van

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Gustave Caillebotte Retrospective - Paris

Visitors look on Gustave Caillebotte’s paintings at the Musee d’Orsay on November 27, 2024 in Paris, France. For around a century, Gustave Caillebotte was the most discreet of the Impressionists, only coming back into the spotlight in 1994, when the Grand Palais in Paris celebrated the centenary of his death in 1894 through a memorable retrospective. Ever since, the French painter has been the subject of several exhibitions from London to Washington, D.C. to Switzerland. Now, the Musee d’Orsay in Paris, the J. Paul Getty Museum in Los Angeles, and the Art Institute of Chicago have joined forces to examine Caillebotte anew, with a sweeping retrospective “Painting Men,” which runs through January in Paris, before heading to LA next spring and then Chicago next summer. Despite the acclaim the artist has received over the past three decades, he still remains a bit of a mystery, a major focus of the exhibition which also coincides with the 130th anniversary of the artist’s passing. Photo by Jean Pierre Nguyen Van

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Gustave Caillebotte Retrospective - Paris

Visitors look on Gustave Caillebotte’s paintings at the Musee d’Orsay on November 27, 2024 in Paris, France. For around a century, Gustave Caillebotte was the most discreet of the Impressionists, only coming back into the spotlight in 1994, when the Grand Palais in Paris celebrated the centenary of his death in 1894 through a memorable retrospective. Ever since, the French painter has been the subject of several exhibitions from London to Washington, D.C. to Switzerland. Now, the Musee d’Orsay in Paris, the J. Paul Getty Museum in Los Angeles, and the Art Institute of Chicago have joined forces to examine Caillebotte anew, with a sweeping retrospective “Painting Men,” which runs through January in Paris, before heading to LA next spring and then Chicago next summer. Despite the acclaim the artist has received over the past three decades, he still remains a bit of a mystery, a major focus of the exhibition which also coincides with the 130th anniversary of the artist’s passing. Photo by Jean Pierre Nguyen Van

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Gustave Caillebotte Retrospective - Paris

Visitors look on Gustave Caillebotte’s paintings at the Musee d’Orsay on November 27, 2024 in Paris, France. For around a century, Gustave Caillebotte was the most discreet of the Impressionists, only coming back into the spotlight in 1994, when the Grand Palais in Paris celebrated the centenary of his death in 1894 through a memorable retrospective. Ever since, the French painter has been the subject of several exhibitions from London to Washington, D.C. to Switzerland. Now, the Musee d’Orsay in Paris, the J. Paul Getty Museum in Los Angeles, and the Art Institute of Chicago have joined forces to examine Caillebotte anew, with a sweeping retrospective “Painting Men,” which runs through January in Paris, before heading to LA next spring and then Chicago next summer. Despite the acclaim the artist has received over the past three decades, he still remains a bit of a mystery, a major focus of the exhibition which also coincides with the 130th anniversary of the artist’s passing. Photo by Jean Pierre Nguyen Van

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Gustave Caillebotte Retrospective - Paris

Visitors look on Gustave Caillebotte’s paintings at the Musee d’Orsay on November 27, 2024 in Paris, France. For around a century, Gustave Caillebotte was the most discreet of the Impressionists, only coming back into the spotlight in 1994, when the Grand Palais in Paris celebrated the centenary of his death in 1894 through a memorable retrospective. Ever since, the French painter has been the subject of several exhibitions from London to Washington, D.C. to Switzerland. Now, the Musee d’Orsay in Paris, the J. Paul Getty Museum in Los Angeles, and the Art Institute of Chicago have joined forces to examine Caillebotte anew, with a sweeping retrospective “Painting Men,” which runs through January in Paris, before heading to LA next spring and then Chicago next summer. Despite the acclaim the artist has received over the past three decades, he still remains a bit of a mystery, a major focus of the exhibition which also coincides with the 130th anniversary of the artist’s passing. Photo by Jean Pierre Nguyen Van

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Gustave Caillebotte Retrospective - Paris

Visitors look on Gustave Caillebotte’s paintings at the Musee d’Orsay on November 27, 2024 in Paris, France. For around a century, Gustave Caillebotte was the most discreet of the Impressionists, only coming back into the spotlight in 1994, when the Grand Palais in Paris celebrated the centenary of his death in 1894 through a memorable retrospective. Ever since, the French painter has been the subject of several exhibitions from London to Washington, D.C. to Switzerland. Now, the Musee d’Orsay in Paris, the J. Paul Getty Museum in Los Angeles, and the Art Institute of Chicago have joined forces to examine Caillebotte anew, with a sweeping retrospective “Painting Men,” which runs through January in Paris, before heading to LA next spring and then Chicago next summer. Despite the acclaim the artist has received over the past three decades, he still remains a bit of a mystery, a major focus of the exhibition which also coincides with the 130th anniversary of the artist’s passing. Photo by Jean Pierre Nguyen Van

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Gustave Caillebotte Retrospective - Paris

Visitors look on Gustave Caillebotte’s paintings at the Musee d’Orsay on November 27, 2024 in Paris, France. For around a century, Gustave Caillebotte was the most discreet of the Impressionists, only coming back into the spotlight in 1994, when the Grand Palais in Paris celebrated the centenary of his death in 1894 through a memorable retrospective. Ever since, the French painter has been the subject of several exhibitions from London to Washington, D.C. to Switzerland. Now, the Musee d’Orsay in Paris, the J. Paul Getty Museum in Los Angeles, and the Art Institute of Chicago have joined forces to examine Caillebotte anew, with a sweeping retrospective “Painting Men,” which runs through January in Paris, before heading to LA next spring and then Chicago next summer. Despite the acclaim the artist has received over the past three decades, he still remains a bit of a mystery, a major focus of the exhibition which also coincides with the 130th anniversary of the artist’s passing. Photo by Jean Pierre Nguyen Van

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Gustave Caillebotte Retrospective - Paris

Visitors look on Gustave Caillebotte’s paintings at the Musee d’Orsay on November 27, 2024 in Paris, France. For around a century, Gustave Caillebotte was the most discreet of the Impressionists, only coming back into the spotlight in 1994, when the Grand Palais in Paris celebrated the centenary of his death in 1894 through a memorable retrospective. Ever since, the French painter has been the subject of several exhibitions from London to Washington, D.C. to Switzerland. Now, the Musee d’Orsay in Paris, the J. Paul Getty Museum in Los Angeles, and the Art Institute of Chicago have joined forces to examine Caillebotte anew, with a sweeping retrospective “Painting Men,” which runs through January in Paris, before heading to LA next spring and then Chicago next summer. Despite the acclaim the artist has received over the past three decades, he still remains a bit of a mystery, a major focus of the exhibition which also coincides with the 130th anniversary of the artist’s passing. Photo by Jean Pierre Nguyen Van

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Gustave Caillebotte Retrospective - Paris

Visitors look on Gustave Caillebotte’s paintings at the Musee d’Orsay on November 27, 2024 in Paris, France. For around a century, Gustave Caillebotte was the most discreet of the Impressionists, only coming back into the spotlight in 1994, when the Grand Palais in Paris celebrated the centenary of his death in 1894 through a memorable retrospective. Ever since, the French painter has been the subject of several exhibitions from London to Washington, D.C. to Switzerland. Now, the Musee d’Orsay in Paris, the J. Paul Getty Museum in Los Angeles, and the Art Institute of Chicago have joined forces to examine Caillebotte anew, with a sweeping retrospective “Painting Men,” which runs through January in Paris, before heading to LA next spring and then Chicago next summer. Despite the acclaim the artist has received over the past three decades, he still remains a bit of a mystery, a major focus of the exhibition which also coincides with the 130th anniversary of the artist’s passing. Photo by Jean Pierre Nguyen Van

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Gustave Caillebotte Retrospective - Paris

Visitors look on Gustave Caillebotte’s paintings at the Musee d’Orsay on November 27, 2024 in Paris, France. For around a century, Gustave Caillebotte was the most discreet of the Impressionists, only coming back into the spotlight in 1994, when the Grand Palais in Paris celebrated the centenary of his death in 1894 through a memorable retrospective. Ever since, the French painter has been the subject of several exhibitions from London to Washington, D.C. to Switzerland. Now, the Musee d’Orsay in Paris, the J. Paul Getty Museum in Los Angeles, and the Art Institute of Chicago have joined forces to examine Caillebotte anew, with a sweeping retrospective “Painting Men,” which runs through January in Paris, before heading to LA next spring and then Chicago next summer. Despite the acclaim the artist has received over the past three decades, he still remains a bit of a mystery, a major focus of the exhibition which also coincides with the 130th anniversary of the artist’s passing. Photo by Jean Pierre Nguyen Van

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Gustave Caillebotte Retrospective - Paris

Visitors look on Gustave Caillebotte’s paintings at the Musee d’Orsay on November 27, 2024 in Paris, France. For around a century, Gustave Caillebotte was the most discreet of the Impressionists, only coming back into the spotlight in 1994, when the Grand Palais in Paris celebrated the centenary of his death in 1894 through a memorable retrospective. Ever since, the French painter has been the subject of several exhibitions from London to Washington, D.C. to Switzerland. Now, the Musee d’Orsay in Paris, the J. Paul Getty Museum in Los Angeles, and the Art Institute of Chicago have joined forces to examine Caillebotte anew, with a sweeping retrospective “Painting Men,” which runs through January in Paris, before heading to LA next spring and then Chicago next summer. Despite the acclaim the artist has received over the past three decades, he still remains a bit of a mystery, a major focus of the exhibition which also coincides with the 130th anniversary of the artist’s passing. Photo by Jean Pierre Nguyen Van

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Gustave Caillebotte Retrospective - Paris

Visitors look on Gustave Caillebotte’s paintings at the Musee d’Orsay on November 27, 2024 in Paris, France. For around a century, Gustave Caillebotte was the most discreet of the Impressionists, only coming back into the spotlight in 1994, when the Grand Palais in Paris celebrated the centenary of his death in 1894 through a memorable retrospective. Ever since, the French painter has been the subject of several exhibitions from London to Washington, D.C. to Switzerland. Now, the Musee d’Orsay in Paris, the J. Paul Getty Museum in Los Angeles, and the Art Institute of Chicago have joined forces to examine Caillebotte anew, with a sweeping retrospective “Painting Men,” which runs through January in Paris, before heading to LA next spring and then Chicago next summer. Despite the acclaim the artist has received over the past three decades, he still remains a bit of a mystery, a major focus of the exhibition which also coincides with the 130th anniversary of the artist’s passing. Photo by Jean Pierre Nguyen Van

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Gustave Caillebotte Retrospective - Paris

Visitors look on Gustave Caillebotte’s paintings at the Musee d’Orsay on November 27, 2024 in Paris, France. For around a century, Gustave Caillebotte was the most discreet of the Impressionists, only coming back into the spotlight in 1994, when the Grand Palais in Paris celebrated the centenary of his death in 1894 through a memorable retrospective. Ever since, the French painter has been the subject of several exhibitions from London to Washington, D.C. to Switzerland. Now, the Musee d’Orsay in Paris, the J. Paul Getty Museum in Los Angeles, and the Art Institute of Chicago have joined forces to examine Caillebotte anew, with a sweeping retrospective “Painting Men,” which runs through January in Paris, before heading to LA next spring and then Chicago next summer. Despite the acclaim the artist has received over the past three decades, he still remains a bit of a mystery, a major focus of the exhibition which also coincides with the 130th anniversary of the artist’s passing. Photo by Jean Pierre Nguyen Van

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Gustave Caillebotte Retrospective - Paris

Visitors look on Gustave Caillebotte’s paintings at the Musee d’Orsay on November 27, 2024 in Paris, France. For around a century, Gustave Caillebotte was the most discreet of the Impressionists, only coming back into the spotlight in 1994, when the Grand Palais in Paris celebrated the centenary of his death in 1894 through a memorable retrospective. Ever since, the French painter has been the subject of several exhibitions from London to Washington, D.C. to Switzerland. Now, the Musee d’Orsay in Paris, the J. Paul Getty Museum in Los Angeles, and the Art Institute of Chicago have joined forces to examine Caillebotte anew, with a sweeping retrospective “Painting Men,” which runs through January in Paris, before heading to LA next spring and then Chicago next summer. Despite the acclaim the artist has received over the past three decades, he still remains a bit of a mystery, a major focus of the exhibition which also coincides with the 130th anniversary of the artist’s passing. Photo by Jean Pierre Nguyen Van

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Gators Are Sensitive To Environmental Changes - Everglades

An American alligator sits while researchers collect data during a crocodile and alligator research survey with the University of Florida Croc Docs team Thursday, November 7, 2024, in Everglades National Park, FL, USA. Alligators like to hunt in the dark but tonight they’re the creatures being stalked, not for sport but for science by two University of Florida wildlife biologists, Sergio Balaguera-Reina and Kevin Olejiczak. Alligators, along with their cousins and co-residents crocodiles, are sensitive to environmental changes in the Everglades. That makes them what scientists call a good “indicator species” for assessing progress in the on-going multibillion-dollar effort to restore the natural water flow to the sprawling River of Grass. Gators are a bit like Goldilocks. Too much water, and they use too much energy trying to catching fish and other prey. Not enough, and they struggle to move or mate. They need the water just right. Photo by Alie Skowronski/Miami Herald/TNS/ABACAPRESS.COM

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Gators Are Sensitive To Environmental Changes - Everglades

An American alligator swims through the water while attached to the boat for researchers to collect data during a research survey with the University of Florida Croc Docs team Thursday, November 7, 2024, in Everglades National Park. The alligators health is a good indicator of the health of the Everglades. Alligators like to hunt in the dark but tonight they’re the creatures being stalked, not for sport but for science by two University of Florida wildlife biologists, Sergio Balaguera-Reina and Kevin Olejiczak. Alligators, along with their cousins and co-residents crocodiles, are sensitive to environmental changes in the Everglades. That makes them what scientists call a good “indicator species” for assessing progress in the on-going multibillion-dollar effort to restore the natural water flow to the sprawling River of Grass. Gators are a bit like Goldilocks. Too much water, and they use too much energy trying to catching fish and other prey. Not enough, and they struggle to move or mate. They need the water

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Gators Are Sensitive To Environmental Changes - Everglades

Kevin Olejniczak, wildlife technician, left, holds an American alligator while Sergio Balaguera-Reina, research scientist studying conservation biology, collects data during a research survey with the University of Florida Croc Docs team Thursday, November 7, 2024, in Everglades National Park, FL, USA. Alligators like to hunt in the dark but tonight they’re the creatures being stalked, not for sport but for science by two University of Florida wildlife biologists, Sergio Balaguera-Reina and Kevin Olejiczak. Alligators, along with their cousins and co-residents crocodiles, are sensitive to environmental changes in the Everglades. That makes them what scientists call a good “indicator species” for assessing progress in the on-going multibillion-dollar effort to restore the natural water flow to the sprawling River of Grass. Gators are a bit like Goldilocks. Too much water, and they use too much energy trying to catching fish and other prey. Not enough, and they struggle to move or mate. They need the water just

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Gators Are Sensitive To Environmental Changes - Everglades

Kevin Olejniczak, wildlife technician, holds a small alligator during a research survey with the University of Florida Croc Docs team Thursday, November 7, 2024, in Everglades National Park. This one was too small to tell the sex, so they put it back and do not collect data on smaller creatures. Alligators like to hunt in the dark but tonight they’re the creatures being stalked, not for sport but for science by two University of Florida wildlife biologists, Sergio Balaguera-Reina and Kevin Olejiczak. Alligators, along with their cousins and co-residents crocodiles, are sensitive to environmental changes in the Everglades. That makes them what scientists call a good “indicator species” for assessing progress in the on-going multibillion-dollar effort to restore the natural water flow to the sprawling River of Grass. Gators are a bit like Goldilocks. Too much water, and they use too much energy trying to catching fish and other prey. Not enough, and they struggle to move or mate. They need the water just right.

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Gators Are Sensitive To Environmental Changes - Everglades

Kevin Olejniczak, wildlife technician, holds down an American alligator while his partner collects data during a research survey with the University of Florida Croc Docs team Thursday, November 7, 2024, in Everglades National Park. The alligators health is a good indicator of the health of the Everglades. Alligators like to hunt in the dark but tonight they’re the creatures being stalked, not for sport but for science by two University of Florida wildlife biologists, Sergio Balaguera-Reina and Kevin Olejiczak. Alligators, along with their cousins and co-residents crocodiles, are sensitive to environmental changes in the Everglades. That makes them what scientists call a good “indicator species” for assessing progress in the on-going multibillion-dollar effort to restore the natural water flow to the sprawling River of Grass. Gators are a bit like Goldilocks. Too much water, and they use too much energy trying to catching fish and other prey. Not enough, and they struggle to move or mate. They need the water j

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Gators Are Sensitive To Environmental Changes - Everglades

Kevin Olejniczak, wildlife technician, left, holds an American alligator while Sergio Balaguera-Reina, research scientist studying conservation biology, collects data during a research survey with the University of Florida Croc Docs team Thursday, November 7, 2024, in Everglades National Park. The alligators health is a good indicator of the health of the Everglades. Alligators like to hunt in the dark but tonight they’re the creatures being stalked, not for sport but for science by two University of Florida wildlife biologists, Sergio Balaguera-Reina and Kevin Olejiczak. Alligators, along with their cousins and co-residents crocodiles, are sensitive to environmental changes in the Everglades. That makes them what scientists call a good “indicator species” for assessing progress in the on-going multibillion-dollar effort to restore the natural water flow to the sprawling River of Grass. Gators are a bit like Goldilocks. Too much water, and they use too much energy trying to catching fish and other prey. Not e

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China International Import Expo - Shanghai

This photo taken on November 5, 2024 shows a micro drill bit on display at the booth of Nachi-Fujikoshi Corp. during the seventh China International Import Expo (CIIE) in east China's Shanghai, November 5, 2024. The newest edition of the CIIE, the world's first national-level exposition dedicated to imports, opened on Tuesday in Shanghai. Photo by Xinhua/Wang Yiliang/ABACAPRESS.COM

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9th China Advanced Materials Industry Expo 2024 in Qingdao

QINGDAO, CHINA - OCTOBER 12, 2024 - An exhibitor displays a new material composite drill bit at the 9th China Advanced Materials Industry Expo 2024 in Qingdao, Shandong province, China, October 12, 2024.

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Jiu Jitsu PON XXI Contest in Sumatra - Indonesia

Acehnese Jiu Jitsu athlete, Aldo Alfriansyah, bit the gold medal in the men's -77 kg Fighting System class at the XXI/2024 National Sports Week (PON) Aceh-North Sumatra at the Martials Arts Arena-Sport Center, Deli Serdang, North Sumatra, Indonesia on September 18, 2024. Photo by Aditya Sutanta/ABACAPRESS.COM

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US: First Snow Of Season Arrives At Utah’s Mountain Resorts

Utah has received its first snowfall of the season on Tuesday, September 17. Ski resorts in both Little Cottonwood Canyon and Big Cottonwood Canyon reported a dusting of snow in their respective areas. The first snow this year arrived a bit later than last year, but is still considered typical, according to the expert.

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