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Gustave Caillebotte Retrospective - Paris

Visitors look on Gustave Caillebotte’s paintings at the Musee d’Orsay on November 27, 2024 in Paris, France. For around a century, Gustave Caillebotte was the most discreet of the Impressionists, only coming back into the spotlight in 1994, when the Grand Palais in Paris celebrated the centenary of his death in 1894 through a memorable retrospective. Ever since, the French painter has been the subject of several exhibitions from London to Washington, D.C. to Switzerland. Now, the Musee d’Orsay in Paris, the J. Paul Getty Museum in Los Angeles, and the Art Institute of Chicago have joined forces to examine Caillebotte anew, with a sweeping retrospective “Painting Men,” which runs through January in Paris, before heading to LA next spring and then Chicago next summer. Despite the acclaim the artist has received over the past three decades, he still remains a bit of a mystery, a major focus of the exhibition which also coincides with the 130th anniversary of the artist’s passing. Photo by Jean Pierre Nguyen Van

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Gustave Caillebotte Retrospective - Paris

Visitors look on Gustave Caillebotte’s paintings at the Musee d’Orsay on November 27, 2024 in Paris, France. For around a century, Gustave Caillebotte was the most discreet of the Impressionists, only coming back into the spotlight in 1994, when the Grand Palais in Paris celebrated the centenary of his death in 1894 through a memorable retrospective. Ever since, the French painter has been the subject of several exhibitions from London to Washington, D.C. to Switzerland. Now, the Musee d’Orsay in Paris, the J. Paul Getty Museum in Los Angeles, and the Art Institute of Chicago have joined forces to examine Caillebotte anew, with a sweeping retrospective “Painting Men,” which runs through January in Paris, before heading to LA next spring and then Chicago next summer. Despite the acclaim the artist has received over the past three decades, he still remains a bit of a mystery, a major focus of the exhibition which also coincides with the 130th anniversary of the artist’s passing. Photo by Jean Pierre Nguyen Van

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Gustave Caillebotte Retrospective - Paris

Visitors look on Gustave Caillebotte’s paintings at the Musee d’Orsay on November 27, 2024 in Paris, France. For around a century, Gustave Caillebotte was the most discreet of the Impressionists, only coming back into the spotlight in 1994, when the Grand Palais in Paris celebrated the centenary of his death in 1894 through a memorable retrospective. Ever since, the French painter has been the subject of several exhibitions from London to Washington, D.C. to Switzerland. Now, the Musee d’Orsay in Paris, the J. Paul Getty Museum in Los Angeles, and the Art Institute of Chicago have joined forces to examine Caillebotte anew, with a sweeping retrospective “Painting Men,” which runs through January in Paris, before heading to LA next spring and then Chicago next summer. Despite the acclaim the artist has received over the past three decades, he still remains a bit of a mystery, a major focus of the exhibition which also coincides with the 130th anniversary of the artist’s passing. Photo by Jean Pierre Nguyen Van

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Gustave Caillebotte Retrospective - Paris

Visitors look on Gustave Caillebotte’s paintings at the Musee d’Orsay on November 27, 2024 in Paris, France. For around a century, Gustave Caillebotte was the most discreet of the Impressionists, only coming back into the spotlight in 1994, when the Grand Palais in Paris celebrated the centenary of his death in 1894 through a memorable retrospective. Ever since, the French painter has been the subject of several exhibitions from London to Washington, D.C. to Switzerland. Now, the Musee d’Orsay in Paris, the J. Paul Getty Museum in Los Angeles, and the Art Institute of Chicago have joined forces to examine Caillebotte anew, with a sweeping retrospective “Painting Men,” which runs through January in Paris, before heading to LA next spring and then Chicago next summer. Despite the acclaim the artist has received over the past three decades, he still remains a bit of a mystery, a major focus of the exhibition which also coincides with the 130th anniversary of the artist’s passing. Photo by Jean Pierre Nguyen Van

E

Gustave Caillebotte Retrospective - Paris

Visitors look on Gustave Caillebotte’s paintings at the Musee d’Orsay on November 27, 2024 in Paris, France. For around a century, Gustave Caillebotte was the most discreet of the Impressionists, only coming back into the spotlight in 1994, when the Grand Palais in Paris celebrated the centenary of his death in 1894 through a memorable retrospective. Ever since, the French painter has been the subject of several exhibitions from London to Washington, D.C. to Switzerland. Now, the Musee d’Orsay in Paris, the J. Paul Getty Museum in Los Angeles, and the Art Institute of Chicago have joined forces to examine Caillebotte anew, with a sweeping retrospective “Painting Men,” which runs through January in Paris, before heading to LA next spring and then Chicago next summer. Despite the acclaim the artist has received over the past three decades, he still remains a bit of a mystery, a major focus of the exhibition which also coincides with the 130th anniversary of the artist’s passing. Photo by Jean Pierre Nguyen Van

E

Gustave Caillebotte Retrospective - Paris

Visitors look on Gustave Caillebotte’s paintings at the Musee d’Orsay on November 27, 2024 in Paris, France. For around a century, Gustave Caillebotte was the most discreet of the Impressionists, only coming back into the spotlight in 1994, when the Grand Palais in Paris celebrated the centenary of his death in 1894 through a memorable retrospective. Ever since, the French painter has been the subject of several exhibitions from London to Washington, D.C. to Switzerland. Now, the Musee d’Orsay in Paris, the J. Paul Getty Museum in Los Angeles, and the Art Institute of Chicago have joined forces to examine Caillebotte anew, with a sweeping retrospective “Painting Men,” which runs through January in Paris, before heading to LA next spring and then Chicago next summer. Despite the acclaim the artist has received over the past three decades, he still remains a bit of a mystery, a major focus of the exhibition which also coincides with the 130th anniversary of the artist’s passing. Photo by Jean Pierre Nguyen Van

E

Gustave Caillebotte Retrospective - Paris

Visitors look on Gustave Caillebotte’s paintings at the Musee d’Orsay on November 27, 2024 in Paris, France. For around a century, Gustave Caillebotte was the most discreet of the Impressionists, only coming back into the spotlight in 1994, when the Grand Palais in Paris celebrated the centenary of his death in 1894 through a memorable retrospective. Ever since, the French painter has been the subject of several exhibitions from London to Washington, D.C. to Switzerland. Now, the Musee d’Orsay in Paris, the J. Paul Getty Museum in Los Angeles, and the Art Institute of Chicago have joined forces to examine Caillebotte anew, with a sweeping retrospective “Painting Men,” which runs through January in Paris, before heading to LA next spring and then Chicago next summer. Despite the acclaim the artist has received over the past three decades, he still remains a bit of a mystery, a major focus of the exhibition which also coincides with the 130th anniversary of the artist’s passing. Photo by Jean Pierre Nguyen Van

E

Gustave Caillebotte Retrospective - Paris

Visitors look on Gustave Caillebotte’s paintings at the Musee d’Orsay on November 27, 2024 in Paris, France. For around a century, Gustave Caillebotte was the most discreet of the Impressionists, only coming back into the spotlight in 1994, when the Grand Palais in Paris celebrated the centenary of his death in 1894 through a memorable retrospective. Ever since, the French painter has been the subject of several exhibitions from London to Washington, D.C. to Switzerland. Now, the Musee d’Orsay in Paris, the J. Paul Getty Museum in Los Angeles, and the Art Institute of Chicago have joined forces to examine Caillebotte anew, with a sweeping retrospective “Painting Men,” which runs through January in Paris, before heading to LA next spring and then Chicago next summer. Despite the acclaim the artist has received over the past three decades, he still remains a bit of a mystery, a major focus of the exhibition which also coincides with the 130th anniversary of the artist’s passing. Photo by Jean Pierre Nguyen Van

E

Gustave Caillebotte Retrospective - Paris

Visitors look on Gustave Caillebotte’s paintings at the Musee d’Orsay on November 27, 2024 in Paris, France. For around a century, Gustave Caillebotte was the most discreet of the Impressionists, only coming back into the spotlight in 1994, when the Grand Palais in Paris celebrated the centenary of his death in 1894 through a memorable retrospective. Ever since, the French painter has been the subject of several exhibitions from London to Washington, D.C. to Switzerland. Now, the Musee d’Orsay in Paris, the J. Paul Getty Museum in Los Angeles, and the Art Institute of Chicago have joined forces to examine Caillebotte anew, with a sweeping retrospective “Painting Men,” which runs through January in Paris, before heading to LA next spring and then Chicago next summer. Despite the acclaim the artist has received over the past three decades, he still remains a bit of a mystery, a major focus of the exhibition which also coincides with the 130th anniversary of the artist’s passing. Photo by Jean Pierre Nguyen Van

E

Gustave Caillebotte Retrospective - Paris

Visitors look on Gustave Caillebotte’s paintings at the Musee d’Orsay on November 27, 2024 in Paris, France. For around a century, Gustave Caillebotte was the most discreet of the Impressionists, only coming back into the spotlight in 1994, when the Grand Palais in Paris celebrated the centenary of his death in 1894 through a memorable retrospective. Ever since, the French painter has been the subject of several exhibitions from London to Washington, D.C. to Switzerland. Now, the Musee d’Orsay in Paris, the J. Paul Getty Museum in Los Angeles, and the Art Institute of Chicago have joined forces to examine Caillebotte anew, with a sweeping retrospective “Painting Men,” which runs through January in Paris, before heading to LA next spring and then Chicago next summer. Despite the acclaim the artist has received over the past three decades, he still remains a bit of a mystery, a major focus of the exhibition which also coincides with the 130th anniversary of the artist’s passing. Photo by Jean Pierre Nguyen Van

E

Gustave Caillebotte Retrospective - Paris

Visitors look on Gustave Caillebotte’s paintings at the Musee d’Orsay on November 27, 2024 in Paris, France. For around a century, Gustave Caillebotte was the most discreet of the Impressionists, only coming back into the spotlight in 1994, when the Grand Palais in Paris celebrated the centenary of his death in 1894 through a memorable retrospective. Ever since, the French painter has been the subject of several exhibitions from London to Washington, D.C. to Switzerland. Now, the Musee d’Orsay in Paris, the J. Paul Getty Museum in Los Angeles, and the Art Institute of Chicago have joined forces to examine Caillebotte anew, with a sweeping retrospective “Painting Men,” which runs through January in Paris, before heading to LA next spring and then Chicago next summer. Despite the acclaim the artist has received over the past three decades, he still remains a bit of a mystery, a major focus of the exhibition which also coincides with the 130th anniversary of the artist’s passing. Photo by Jean Pierre Nguyen Van

E

Gustave Caillebotte Retrospective - Paris

Visitors look on Gustave Caillebotte’s paintings at the Musee d’Orsay on November 27, 2024 in Paris, France. For around a century, Gustave Caillebotte was the most discreet of the Impressionists, only coming back into the spotlight in 1994, when the Grand Palais in Paris celebrated the centenary of his death in 1894 through a memorable retrospective. Ever since, the French painter has been the subject of several exhibitions from London to Washington, D.C. to Switzerland. Now, the Musee d’Orsay in Paris, the J. Paul Getty Museum in Los Angeles, and the Art Institute of Chicago have joined forces to examine Caillebotte anew, with a sweeping retrospective “Painting Men,” which runs through January in Paris, before heading to LA next spring and then Chicago next summer. Despite the acclaim the artist has received over the past three decades, he still remains a bit of a mystery, a major focus of the exhibition which also coincides with the 130th anniversary of the artist’s passing. Photo by Jean Pierre Nguyen Van

E

Gustave Caillebotte Retrospective - Paris

Visitors look on Gustave Caillebotte’s paintings at the Musee d’Orsay on November 27, 2024 in Paris, France. For around a century, Gustave Caillebotte was the most discreet of the Impressionists, only coming back into the spotlight in 1994, when the Grand Palais in Paris celebrated the centenary of his death in 1894 through a memorable retrospective. Ever since, the French painter has been the subject of several exhibitions from London to Washington, D.C. to Switzerland. Now, the Musee d’Orsay in Paris, the J. Paul Getty Museum in Los Angeles, and the Art Institute of Chicago have joined forces to examine Caillebotte anew, with a sweeping retrospective “Painting Men,” which runs through January in Paris, before heading to LA next spring and then Chicago next summer. Despite the acclaim the artist has received over the past three decades, he still remains a bit of a mystery, a major focus of the exhibition which also coincides with the 130th anniversary of the artist’s passing. Photo by Jean Pierre Nguyen Van

E

Gustave Caillebotte Retrospective - Paris

Visitors look on Gustave Caillebotte’s paintings at the Musee d’Orsay on November 27, 2024 in Paris, France. For around a century, Gustave Caillebotte was the most discreet of the Impressionists, only coming back into the spotlight in 1994, when the Grand Palais in Paris celebrated the centenary of his death in 1894 through a memorable retrospective. Ever since, the French painter has been the subject of several exhibitions from London to Washington, D.C. to Switzerland. Now, the Musee d’Orsay in Paris, the J. Paul Getty Museum in Los Angeles, and the Art Institute of Chicago have joined forces to examine Caillebotte anew, with a sweeping retrospective “Painting Men,” which runs through January in Paris, before heading to LA next spring and then Chicago next summer. Despite the acclaim the artist has received over the past three decades, he still remains a bit of a mystery, a major focus of the exhibition which also coincides with the 130th anniversary of the artist’s passing. Photo by Jean Pierre Nguyen Van

E

Gustave Caillebotte Retrospective - Paris

Visitors look on Gustave Caillebotte’s paintings at the Musee d’Orsay on November 27, 2024 in Paris, France. For around a century, Gustave Caillebotte was the most discreet of the Impressionists, only coming back into the spotlight in 1994, when the Grand Palais in Paris celebrated the centenary of his death in 1894 through a memorable retrospective. Ever since, the French painter has been the subject of several exhibitions from London to Washington, D.C. to Switzerland. Now, the Musee d’Orsay in Paris, the J. Paul Getty Museum in Los Angeles, and the Art Institute of Chicago have joined forces to examine Caillebotte anew, with a sweeping retrospective “Painting Men,” which runs through January in Paris, before heading to LA next spring and then Chicago next summer. Despite the acclaim the artist has received over the past three decades, he still remains a bit of a mystery, a major focus of the exhibition which also coincides with the 130th anniversary of the artist’s passing. Photo by Jean Pierre Nguyen Van

E

Gustave Caillebotte Retrospective - Paris

Visitors look on Gustave Caillebotte’s paintings at the Musee d’Orsay on November 27, 2024 in Paris, France. For around a century, Gustave Caillebotte was the most discreet of the Impressionists, only coming back into the spotlight in 1994, when the Grand Palais in Paris celebrated the centenary of his death in 1894 through a memorable retrospective. Ever since, the French painter has been the subject of several exhibitions from London to Washington, D.C. to Switzerland. Now, the Musee d’Orsay in Paris, the J. Paul Getty Museum in Los Angeles, and the Art Institute of Chicago have joined forces to examine Caillebotte anew, with a sweeping retrospective “Painting Men,” which runs through January in Paris, before heading to LA next spring and then Chicago next summer. Despite the acclaim the artist has received over the past three decades, he still remains a bit of a mystery, a major focus of the exhibition which also coincides with the 130th anniversary of the artist’s passing. Photo by Jean Pierre Nguyen Van

E

Gustave Caillebotte Retrospective - Paris

Visitors look on Gustave Caillebotte’s paintings at the Musee d’Orsay on November 27, 2024 in Paris, France. For around a century, Gustave Caillebotte was the most discreet of the Impressionists, only coming back into the spotlight in 1994, when the Grand Palais in Paris celebrated the centenary of his death in 1894 through a memorable retrospective. Ever since, the French painter has been the subject of several exhibitions from London to Washington, D.C. to Switzerland. Now, the Musee d’Orsay in Paris, the J. Paul Getty Museum in Los Angeles, and the Art Institute of Chicago have joined forces to examine Caillebotte anew, with a sweeping retrospective “Painting Men,” which runs through January in Paris, before heading to LA next spring and then Chicago next summer. Despite the acclaim the artist has received over the past three decades, he still remains a bit of a mystery, a major focus of the exhibition which also coincides with the 130th anniversary of the artist’s passing. Photo by Jean Pierre Nguyen Van

E

Gustave Caillebotte Retrospective - Paris

Visitors look on Gustave Caillebotte’s paintings at the Musee d’Orsay on November 27, 2024 in Paris, France. For around a century, Gustave Caillebotte was the most discreet of the Impressionists, only coming back into the spotlight in 1994, when the Grand Palais in Paris celebrated the centenary of his death in 1894 through a memorable retrospective. Ever since, the French painter has been the subject of several exhibitions from London to Washington, D.C. to Switzerland. Now, the Musee d’Orsay in Paris, the J. Paul Getty Museum in Los Angeles, and the Art Institute of Chicago have joined forces to examine Caillebotte anew, with a sweeping retrospective “Painting Men,” which runs through January in Paris, before heading to LA next spring and then Chicago next summer. Despite the acclaim the artist has received over the past three decades, he still remains a bit of a mystery, a major focus of the exhibition which also coincides with the 130th anniversary of the artist’s passing. Photo by Jean Pierre Nguyen Van

E

Gustave Caillebotte Retrospective - Paris

Visitors look on Gustave Caillebotte’s paintings at the Musee d’Orsay on November 27, 2024 in Paris, France. For around a century, Gustave Caillebotte was the most discreet of the Impressionists, only coming back into the spotlight in 1994, when the Grand Palais in Paris celebrated the centenary of his death in 1894 through a memorable retrospective. Ever since, the French painter has been the subject of several exhibitions from London to Washington, D.C. to Switzerland. Now, the Musee d’Orsay in Paris, the J. Paul Getty Museum in Los Angeles, and the Art Institute of Chicago have joined forces to examine Caillebotte anew, with a sweeping retrospective “Painting Men,” which runs through January in Paris, before heading to LA next spring and then Chicago next summer. Despite the acclaim the artist has received over the past three decades, he still remains a bit of a mystery, a major focus of the exhibition which also coincides with the 130th anniversary of the artist’s passing. Photo by Jean Pierre Nguyen Van