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PRINCESS SOFIA ROSENDAL VASE

Princess Sofia attends the 200th anniversary of the Rosendal vase, a stone sculpture at Rosendal Palace, Stockholm, Sweden, December 3, 2025. Princess Sofia places a porphyry egg on the Rosendal Vase.Photo: Christine Olsson / TT / Code 10430

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PRINCESS SOFIA ROSENDAL VASE

Princess Sofia attends the 200th anniversary of the Rosendal vase, a stone sculpture at Rosendal Palace, Stockholm, Sweden, December 3, 2025. Princess Sofia places a porphyry egg on the Rosendal Vase.Photo: Christine Olsson / TT / Code 10430

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PRINCESS SOFIA ROSENDAL VASE

Princess Sofia attends the 200th anniversary of the Rosendal vase, a stone sculpture at Rosendal Palace, Stockholm, Sweden, December 3, 2025. Princess Sofia places a porphyry egg on the Rosendal Vase.Photo: Christine Olsson / TT / Code 10430

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Illustration - Marseille

FRANCE. PROVENCE. BOUCHES-DU-RHONE (13) MARSEILLES. THE SAINTE-MARIE-MAJEURE CATHEDRAL, CALLED LA MAJOR. IT WAS BUILT (NEO-BYZANTINE STYLE) BETWEEN 1852 AND 1893 ON THE PLANS OF THE ARCHITECT LEON VAUDOYER. ITS ARCHITECTURE AND ITS INTERIOR DECORATION, IN MARBLE AND PORPHYRY, GIVE IT A PARTICULAR ASPECT FOR A RELIGIOUS BUILDING. Photo by Robert Palomba/Only France/ABACAPRESS.COM

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Illustration - Marseille

FRANCE. PROVENCE. BOUCHES-DU-RHONE (13) MARSEILLES. THE SAINTE-MARIE-MAJEURE CATHEDRAL, CALLED LA MAJOR. IT WAS BUILT (NEO-BYZANTINE STYLE) BETWEEN 1852 AND 1893 ON THE PLANS OF THE ARCHITECT LEON VAUDOYER. ITS ARCHITECTURE AND ITS INTERIOR DECORATION, IN MARBLE AND PORPHYRY, GIVE IT A PARTICULAR ASPECT FOR A RELIGIOUS BUILDING. Photo by Robert Palomba/Only France/ABACAPRESS.COM

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Illustration - Aerial Rome - Italy

ITALY - ROMA - VATICAN - INTERIOR OF ST. PETER'S BASILICA - PHOTO POINT 1: ENTRANCE TO THE NAVE WITH : LEFT, THE BAPTISTERY, COMMISSIONED BY POPE INNOCENT XII AND DESIGNED BY CARLO FONTANA (IN THE INSTALLATION PHASE OF THE CHRISTMAS NATIVITY SCENE); IN CENTER, THE CLAMS AND THE NAVE; ION FOREGROUND BELOW RIGHT, THE PORPHYRY ROUND WHERE CHARLEMAGNE WAS CROWNED EMPEROR IN THE YEAR 800. ON BACKGROUND RIGHT, MICHELANGELO'S ROOM OF LA PIETA. ON RIGHT, ANTONIO AVERLINO'S BRONZE GATE. THE TOTAL LENGTH OF THE BUILDING IS 220 M. AND ITS TOTAL WIDTH OF 150 M. THE WIDTH OF THE NAVE IS 27.5 M. AND ITS HEIGHT OF 46.2 M. Photo by Stephane Compoint/Only World/ABACAPRESS.COM

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Illustration - Marseille

FRANCE. PROVENCE. BOUCHES-DU-RHONE (13) MARSEILLES. THE SAINTE-MARIE-MAJEURE CATHEDRAL, CALLED LA MAJOR. IT WAS BUILT (NEO-BYZANTINE STYLE) BETWEEN 1852 AND 1893 ON THE PLANS OF THE ARCHITECT LEON VAUDOYER. ITS ARCHITECTURE AND ITS INTERIOR DECORATION, IN MARBLE AND PORPHYRY, GIVE IT A PARTICULAR ASPECT FOR A RELIGIOUS BUILDING. Photo by Jean Isenmann/Only France/ABACAPRESS.COM

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Illustration - Marseille

FRANCE. PROVENCE. BOUCHES-DU-RHONE (13) MARSEILLES. THE SAINTE-MARIE-MAJEURE CATHEDRAL, CALLED LA MAJOR. IT WAS BUILT (NEO-BYZANTINE STYLE) BETWEEN 1852 AND 1893 ON THE PLANS OF THE ARCHITECT LEON VAUDOYER. ITS ARCHITECTURE AND ITS INTERIOR DECORATION, IN MARBLE AND PORPHYRY, GIVE IT A PARTICULAR ASPECT FOR A RELIGIOUS BUILDING. Photo by Norbert Scanella/Only France/ABACAPRESS.COM

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Illustration - Marseille

FRANCE. PROVENCE. BOUCHES-DU-RHONE (13) MARSEILLES. THE SAINTE-MARIE-MAJEURE CATHEDRAL, CALLED LA MAJOR. IT WAS BUILT (NEO-BYZANTINE STYLE) BETWEEN 1852 AND 1893 ON THE PLANS OF THE ARCHITECT LEON VAUDOYER. ITS ARCHITECTURE AND ITS INTERIOR DECORATION, IN MARBLE AND PORPHYRY, GIVE IT A PARTICULAR ASPECT FOR A RELIGIOUS BUILDING. Photo by Norbert Scanella/Only France/ABACAPRESS.COM

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Illustration - Marseille

FRANCE. PROVENCE. BOUCHES-DU-RHONE (13) MARSEILLES. THE SAINTE-MARIE-MAJEURE CATHEDRAL, CALLED LA MAJOR. IT WAS BUILT (NEO-BYZANTINE STYLE) BETWEEN 1852 AND 1893 ON THE PLANS OF THE ARCHITECT LEON VAUDOYER. ITS ARCHITECTURE AND ITS INTERIOR DECORATION, IN MARBLE AND PORPHYRY, GIVE IT A PARTICULAR ASPECT FOR A RELIGIOUS BUILDING. Photo by Jean Isenmann/Only France/ABACAPRESS.COM

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Illustration - Marseille

FRANCE. PROVENCE. BOUCHES-DU-RHONE (13) MARSEILLES. THE SAINTE-MARIE-MAJEURE CATHEDRAL, CALLED LA MAJOR. IT WAS BUILT (NEO-BYZANTINE STYLE) BETWEEN 1852 AND 1893 ON THE PLANS OF THE ARCHITECT LEON VAUDOYER. ITS ARCHITECTURE AND ITS INTERIOR DECORATION, IN MARBLE AND PORPHYRY, GIVE IT A PARTICULAR ASPECT FOR A RELIGIOUS BUILDING. Photo by Jean Isenmann/Only France/ABACAPRESS.COM

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Illustration - Marseille

FRANCE. PROVENCE. BOUCHES-DU-RHONE (13) MARSEILLES. THE SAINTE-MARIE-MAJEURE CATHEDRAL, CALLED LA MAJOR. IT WAS BUILT (NEO-BYZANTINE STYLE) BETWEEN 1852 AND 1893 ON THE PLANS OF THE ARCHITECT LEON VAUDOYER. ITS ARCHITECTURE AND ITS INTERIOR DECORATION, IN MARBLE AND PORPHYRY, GIVE IT A PARTICULAR ASPECT FOR A RELIGIOUS BUILDING. Photo by Robert Palomba/Only France/ABACAPRESS.COM

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Illustration - Marseille

FRANCE. PROVENCE. BOUCHES-DU-RHONE (13) MARSEILLES. THE SAINTE-MARIE-MAJEURE CATHEDRAL, CALLED LA MAJOR. IT WAS BUILT (NEO-BYZANTINE STYLE) BETWEEN 1852 AND 1893 ON THE PLANS OF THE ARCHITECT LEON VAUDOYER. ITS ARCHITECTURE AND ITS INTERIOR DECORATION, IN MARBLE AND PORPHYRY, GIVE IT A PARTICULAR ASPECT FOR A RELIGIOUS BUILDING. Photo by Robert Palomba/Only France/ABACAPRESS.COM

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Illustration - Marseille

FRANCE. PROVENCE. BOUCHES-DU-RHONE (13) MARSEILLES. THE SAINTE-MARIE-MAJEURE CATHEDRAL, CALLED LA MAJOR. IT WAS BUILT (NEO-BYZANTINE STYLE) BETWEEN 1852 AND 1893 ON THE PLANS OF THE ARCHITECT LEON VAUDOYER. ITS ARCHITECTURE AND ITS INTERIOR DECORATION, IN MARBLE AND PORPHYRY, GIVE IT A PARTICULAR ASPECT FOR A RELIGIOUS BUILDING. Photo by Robert Palomba/Only France/ABACAPRESS.COM

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Illustration - Marseille

FRANCE. PROVENCE. BOUCHES-DU-RHONE (13) MARSEILLES. THE SAINTE-MARIE-MAJEURE CATHEDRAL, CALLED LA MAJOR. IT WAS BUILT (NEO-BYZANTINE STYLE) BETWEEN 1852 AND 1893 ON THE PLANS OF THE ARCHITECT LEON VAUDOYER. ITS ARCHITECTURE AND ITS INTERIOR DECORATION, IN MARBLE AND PORPHYRY, GIVE IT A PARTICULAR ASPECT FOR A RELIGIOUS BUILDING. Photo by Stephane Frances/Only France/ABACAPRESS.COM

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Illustration - Marseille

FRANCE. PROVENCE. BOUCHES-DU-RHONE (13) MARSEILLES. THE SAINTE-MARIE-MAJEURE CATHEDRAL, CALLED LA MAJOR. IT WAS BUILT (NEO-BYZANTINE STYLE) BETWEEN 1852 AND 1893 ON THE PLANS OF THE ARCHITECT LEON VAUDOYER. ITS ARCHITECTURE AND ITS INTERIOR DECORATION, IN MARBLE AND PORPHYRY, GIVE IT A PARTICULAR ASPECT FOR A RELIGIOUS BUILDING. Photo by Stephane Frances/Only France/ABACAPRESS.COM

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Illustration - Marseille

FRANCE. PROVENCE. BOUCHES-DU-RHONE (13) MARSEILLES. THE SAINTE-MARIE-MAJEURE CATHEDRAL, CALLED LA MAJOR. IT WAS BUILT (NEO-BYZANTINE STYLE) BETWEEN 1852 AND 1893 ON THE PLANS OF THE ARCHITECT LEON VAUDOYER. ITS ARCHITECTURE AND ITS INTERIOR DECORATION, IN MARBLE AND PORPHYRY, GIVE IT A PARTICULAR ASPECT FOR A RELIGIOUS BUILDING. Photo by Stephane Frances/Only France/ABACAPRESS.COM

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Illustration - Marseille

FRANCE. PROVENCE. BOUCHES-DU-RHONE (13) MARSEILLES. THE SAINTE-MARIE-MAJEURE CATHEDRAL, CALLED LA MAJOR. IT WAS BUILT (NEO-BYZANTINE STYLE) BETWEEN 1852 AND 1893 ON THE PLANS OF THE ARCHITECT LEON VAUDOYER. ITS ARCHITECTURE AND ITS INTERIOR DECORATION, IN MARBLE AND PORPHYRY, GIVE IT A PARTICULAR ASPECT FOR A RELIGIOUS BUILDING. Photo by Stephane Frances/Only France/ABACAPRESS.COM