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THE LADYKILLERS

THE LADYKILLERS Assistant director TOM PEVSNER Date: 1955

AN IDEAL HUSBAND (BRITAIN 1947) DIRECTED BY ALEXANDER KORDA

AN IDEAL HUSBAND DIRECTED BY ALEXANDER KORDA IN TECHNICOLOR WITH PAULETTE GODDARD AS MRS LAURA CHEVELEY PICTURE FROM THE RONALD GRANT ARCHIVE THE ADVENTURES OF CASANOVA Date: 1948

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GENTLEMEN MARRY BRUNETTES

GENTLEMEN MARRY BRUNETTES [US 1955] JANE POWELL, JEANNE CRAI Date: 1955

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THE VIKING

THE VIKING PAULINE STARKE, WALTER P LEWIS This is claimed to be the first all-colour feature film. Made by the Technicolor company and released by MGM THE VIKING Date: 1928

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A metal

A metal spool with 2,000 feet of 35mm Technicolor safety film printed by the dye-transfer system. The extreme warping of the film indicatess that it is badly affected by a deterioration commonly known as 'the vinegar syndrome' This can make the film, as in this case, unshowable because of the film's buckled surface.

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A roll

A roll of 2,000 feet of 35mm Technicolor safety film printed by the dye-transfer system. The extreme warping of the film indicatess that it is badly affected by a deterioration commonly known as 'the vinegar syndrome' This can make the film, as in this case, unshowable because of the film's buckled surface.

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A metal

A metal spool with 2,000 feet of 35mm Technicolor safety film printed by the dye-transfer system. The extreme warping of the film indicatess that it is badly affected by a deterioration commonly known as 'the vinegar syndrome' This can make the film, as in this case, unshowable because of the film's buckled surface.

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A metal

A metal spool with 2,000 feet of 35mm Technicolor safety film printed by the dye-transfer system. The extreme warping of the film indicatess that it is badly affected by a deterioration commonly known as 'the vinegar syndrome' This can make the film, as in this case, unshowable because of the film's buckled surface.

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A metal

A metal spool with 2,000 feet of 35mm Technicolor safety film printed by the dye-transfer system. The extreme warping of the film indicatess that it is badly affected by a deterioration commonly known as 'the vinegar syndrome' This can make the film, as in this case, unshowable because of the film's buckled surface.

E

A metal

A metal spool with 2,000 feet of 35mm Technicolor safety film printed by the dye-transfer system. The extreme warping of the film indicatess that it is badly affected by a deterioration commonly known as 'the vinegar syndrome' This can make the film, as in this case, unshowable because of the film's buckled surface.

E

A metal

A metal spool with 2,000 feet of 35mm Technicolor safety film printed by the dye-transfer system. The extreme warping of the film indicatess that it is badly affected by a deterioration commonly known as 'the vinegar syndrome' This can make the film, as in this case, unshowable because of the film's buckled surface.

E

A metal

A metal spool with 2,000 feet of 35mm Technicolor safety film printed by the dye-transfer system. The extreme warping of the film indicatess that it is badly affected by a deterioration commonly known as 'the vinegar syndrome' This can make the film, as in this case, unshowable because of the film's buckled surface.

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HEAVEN CAN WAIT

HEAVEN CAN WAIT DIRECTED BY ERNST LUBITSCH in Technicolor Don Ameche, Gene Tierney Date: 1943

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HEAVEN CAN WAIT

HEAVEN CAN WAIT DIRECTED BY ERNST LUBITSCH in Technicolor Gene Tierney, Allyn Joslyn Date: 1943

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HEAVEN CAN WAIT

HEAVEN CAN WAIT DIRECTED BY ERNST LUBITSCH in Technicolor Don Ameche, Signe Hasso Date: 1943

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THE MAN WHO KNEW TOO MUCH

THE MAN WHO KNEW TOO MUCH On location in Camden Town, London, leading actor JAMES STEWART , Director ALFRED HITCHCOCK [immediately right of man in white shirt and braces], and Technical Advisor CONSTANCE WILLIS [standing, centre right], and beyond her can be glimpsed the Technicolor camera Date: 1956

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Advertisement for the TECHNICOLOR company, 1940s

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THE CRIMSON PIRATE

THE CRIMSON PIRATE Leading actor BURT LANCASTER while on location looks through the viewfinder of the Technicolor camera, which is contained within the blimp, a large sound proofed case Date: 1952

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TWENTY FOUR HOURS OF A WOMAN'S LIFE

TWENTY FOUR HOURS OF A WOMAN'S LIFE [BR 1952] Date: 1952

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NATALIE KALMUS

NATALIE KALMUS Technicolor colour consultant, married to Dr Herbert Kalmus the co-inventor of Technicolor Picture c1928/9

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An assistant Technicolor cameraman with $15,000 of camera. S

An assistant Technicolor cameraman with $15,000 of camera. Specially made they took 3 months to constuct. Picture 1929/30

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DR HERBERT KALMUS

DR HERBERT KALMUS [1881 - 1963] co-inventor of the Technicolor system of photographing motion-pictures and then making prints for cinema showing with color inks. This particular system, now defunct, meant the colours didn't generally fade in the way other chemically developed colour films did DR HERBERT KALMUS

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TECHNICOLOR: advertisement from 1956 featuring the Royal Fil

TECHNICOLOR: advertisement from 1956 featuring the Royal Film Performance

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THE BIG CAT

THE BIG CAT A frame from the credit sequence THE BIG CAT Date: 1949

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THE TRAIL OF THE LONESOME PINE

THE TRAIL OF THE LONESOME PINE In Technicolor GARY COOPER, MADELEINE CARROLL Date: 1936

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DOROTHY LAMOUR

DOROTHY LAMOUR American Actress on the set of HER JUNGLE LOVE with a Technicolor Camera

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JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT The Roundhouse

JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT The Roundhouse production, first performed 8th November 1972

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WALTER LANTZ

WALTER LANTZ Animator, Head of his own animation studios Walter Lantz Studios. Responsible for the first Technicolor cartoon. Introduced animated characters Oswald the Lucky Rabbit, Andy Panda, Chilly Willy and Woody Woodpecker

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XIVTH OLYMPIAD - THE GLORY OF SPORT

XIVTH OLYMPIAD - THE GLORY OF SPORT Two Technicolor cameramen complete final tests on their camera before filming The Olympic Games 1948. Date: 1948

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A 3 STRIP TECHNICOLOR CAMERA 1940s - 1950s

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CHRISTOPHER COLUMBUS

CHRISTOPHER COLUMBUS [BR 1949] BILL LETTS, 'Life' Magazine photographer discusses tricks of the Technicolor camera with operator and chief cameraman DAVID HARCOURT Date: 1949

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A 3 STRIP TECHNICOLOR CAMERA 1940s - 1950s

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MISS SADIE THOMPSON

MISS SADIE THOMPSON Director CURTIS BERNHARDT and the Columbia crew watch a rehearsal from the 3D Technicolor production Date: 1953

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NATALIE KALMUS

NATALIE KALMUS Technicolor Pioneer

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HERBERT T. KALMUS

HERBERT T. KALMUS Technicolor Pioneer

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NATALIE KALMUS

NATALIE KALMUS Technicolor Pioneer

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BELLE OF THE YUKON

BELLE OF THE YUKON Head Of Technicolor Products HERBERT KALMUS with President Of International Pictures WILLIAM GOETZ

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HERBERT T. KALMUS

HERBERT T. KALMUS Technicolor Pioneer

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REDSKIN

REDSKIN WITH RICHARD DIX Date: 1929

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REDSKIN

REDSKIN in two-colour Technicolor RICHARD DIX Date: 1929

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LE GONG: Dance of the Virgins (US1935) Directed by Henri d

LE GONG: Dance of the Virgins Directed by Henri de la Falaise Without dialogue but with music track and intertitles this is said to be the last silent film produced by Hollywood and the last in two-colour Technicolor Date: 1935

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A MATTER OF LIFE AND DEATH

A MATTER OF LIFE AND DEATH Director of photography Jack Cardiff and camera operator Geoffrey Unsworth with the Technicolor camera Date: 1946

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MEN OF TWO WORLDS

MEN OF TWO WORLDS L-R, DIRECTOR OF PHOTOGRAPHY, DESMOND DICKINSON, CAMERAMAN, GEORGE MINASSIAN AND DIRECTOR, THOROLD DICKINSON CAMERA: 3 STRIP TECHNICOLOR

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MEN OF TWO WORLDS

MEN OF TWO WORLDS L-R, DIRECTOR OF PHOTOGRAPHY, DESMOND DICKINSON, CAMERAMAN, GEORGE MINASSIAN AND DIRECTOR, THOROLD DICKINSON CAMERA: 3 STRIP TECHNICOLOR

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MEN OF TWO WORLDS

MEN OF TWO WORLDS DIRECTOR, THOROLD DICKINSON AND DIRECTOR OF PHOTOGRAPHY, DESMOND DICKINSON CAMERA: 3 STRIP TECHNICOLOR Date: 1946

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THREE GODFATHERS

THREE GODFATHERS DIRECTED BY JOHN FORD IN TECHNICOLOR WITH JOHN WAYNE HARRY CAREY JNR PEDRO ARMENDARIZ POSTER FROM THE RONALD GRANT ARCHIVE MS 249/3 THREE GODFATHERS DIRECTED BY JOHN FORD IN TECHNICOLOR WITH JOHN WAYNE HARRY CAREY JNR PEDRO ARMENDARIZ Date: 1948

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THE YEARLING

THE YEARLING DIRECTED BY CLARENCE BROWN IN TECHNICOLOR GREGORY PECK CLAUDE JARMAN JNR JANE WYMAN PICTURE FROM THE RONALD GRANT ARCHIVE FR47.8/64 THE YEARLING DIRECTED BY CLARENCE BROWN IN TECHNICOLOR GREGORY PECK CLAUDE JARMAN JNR JANE WYMAN Date: 1946

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THE UNFINISHED DANCE

THE UNFINISHED DANCE (US 1947) DIRECTED BY HENRY KOSTER IN TECHNICOLOR MARGARET O'BRIEN PICTURE FROM THE RONALD GRANT ARCHIVE FR48.9/64 THE UNFINISHED DANCE (US 1947) DIRECTED BY HENRY KOSTER IN TECHNICOLOR MARGARET O'BRIEN Date: 1947

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UNDER CAPRICORN

UNDER CAPRICORN DIRECTOR, ALFRED HITCHCOCK AND CAMERA OPERATOR, PAUL BEESON FI CAMERA TECHNICOLOR Date: 1949

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WHISPERING SMITH

WHISPERING SMITH DIRECTED BY LESLIE FENTON IN TECHNICOLOR WITH BRENDA MARSHALL ALAN LADD PICTURE FROM THE RONALD GRANT ARCHIVE FR48.9/77 WHISPERING SMITH DIRECTED BY LESLIE FENTON IN TECHNICOLOR WITH BRENDA MARSHALL ALAN LADD Date: 1948