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Illustration - Marseille

FRANCE. PROVENCE. BOUCHES-DU-RHONE (13) MARSEILLES. THE SAINTE-MARIE-MAJEURE CATHEDRAL, CALLED LA MAJOR. IT WAS BUILT (NEO-BYZANTINE STYLE) BETWEEN 1852 AND 1893 ON THE PLANS OF THE ARCHITECT LEON VAUDOYER. ITS ARCHITECTURE AND ITS INTERIOR DECORATION, IN MARBLE AND PORPHYRY, GIVE IT A PARTICULAR ASPECT FOR A RELIGIOUS BUILDING. Photo by Robert Palomba/Only France/ABACAPRESS.COM

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Illustration - Marseille

FRANCE. PROVENCE. BOUCHES-DU-RHONE (13) MARSEILLES. THE SAINTE-MARIE-MAJEURE CATHEDRAL, CALLED LA MAJOR. IT WAS BUILT (NEO-BYZANTINE STYLE) BETWEEN 1852 AND 1893 ON THE PLANS OF THE ARCHITECT LEON VAUDOYER. ITS ARCHITECTURE AND ITS INTERIOR DECORATION, IN MARBLE AND PORPHYRY, GIVE IT A PARTICULAR ASPECT FOR A RELIGIOUS BUILDING. Photo by Robert Palomba/Only France/ABACAPRESS.COM

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Illustration - Marseille

FRANCE. PROVENCE. BOUCHES-DU-RHONE (13) MARSEILLES. THE SAINTE-MARIE-MAJEURE CATHEDRAL, CALLED LA MAJOR. IT WAS BUILT (NEO-BYZANTINE STYLE) BETWEEN 1852 AND 1893 ON THE PLANS OF THE ARCHITECT LEON VAUDOYER. ITS ARCHITECTURE AND ITS INTERIOR DECORATION, IN MARBLE AND PORPHYRY, GIVE IT A PARTICULAR ASPECT FOR A RELIGIOUS BUILDING. Photo by Jean Isenmann/Only France/ABACAPRESS.COM

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Illustration - Marseille

FRANCE. PROVENCE. BOUCHES-DU-RHONE (13) MARSEILLES. THE SAINTE-MARIE-MAJEURE CATHEDRAL, CALLED LA MAJOR. IT WAS BUILT (NEO-BYZANTINE STYLE) BETWEEN 1852 AND 1893 ON THE PLANS OF THE ARCHITECT LEON VAUDOYER. ITS ARCHITECTURE AND ITS INTERIOR DECORATION, IN MARBLE AND PORPHYRY, GIVE IT A PARTICULAR ASPECT FOR A RELIGIOUS BUILDING. Photo by Norbert Scanella/Only France/ABACAPRESS.COM

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Illustration - Marseille

FRANCE. PROVENCE. BOUCHES-DU-RHONE (13) MARSEILLES. THE SAINTE-MARIE-MAJEURE CATHEDRAL, CALLED LA MAJOR. IT WAS BUILT (NEO-BYZANTINE STYLE) BETWEEN 1852 AND 1893 ON THE PLANS OF THE ARCHITECT LEON VAUDOYER. ITS ARCHITECTURE AND ITS INTERIOR DECORATION, IN MARBLE AND PORPHYRY, GIVE IT A PARTICULAR ASPECT FOR A RELIGIOUS BUILDING. Photo by Norbert Scanella/Only France/ABACAPRESS.COM

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Illustration - Marseille

FRANCE. PROVENCE. BOUCHES-DU-RHONE (13) MARSEILLES. THE SAINTE-MARIE-MAJEURE CATHEDRAL, CALLED LA MAJOR. IT WAS BUILT (NEO-BYZANTINE STYLE) BETWEEN 1852 AND 1893 ON THE PLANS OF THE ARCHITECT LEON VAUDOYER. ITS ARCHITECTURE AND ITS INTERIOR DECORATION, IN MARBLE AND PORPHYRY, GIVE IT A PARTICULAR ASPECT FOR A RELIGIOUS BUILDING. Photo by Jean Isenmann/Only France/ABACAPRESS.COM

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Illustration - Marseille

FRANCE. PROVENCE. BOUCHES-DU-RHONE (13) MARSEILLES. THE SAINTE-MARIE-MAJEURE CATHEDRAL, CALLED LA MAJOR. IT WAS BUILT (NEO-BYZANTINE STYLE) BETWEEN 1852 AND 1893 ON THE PLANS OF THE ARCHITECT LEON VAUDOYER. ITS ARCHITECTURE AND ITS INTERIOR DECORATION, IN MARBLE AND PORPHYRY, GIVE IT A PARTICULAR ASPECT FOR A RELIGIOUS BUILDING. Photo by Jean Isenmann/Only France/ABACAPRESS.COM

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Illustration - Marseille

FRANCE. PROVENCE. BOUCHES-DU-RHONE (13) MARSEILLES. THE SAINTE-MARIE-MAJEURE CATHEDRAL, CALLED LA MAJOR. IT WAS BUILT (NEO-BYZANTINE STYLE) BETWEEN 1852 AND 1893 ON THE PLANS OF THE ARCHITECT LEON VAUDOYER. ITS ARCHITECTURE AND ITS INTERIOR DECORATION, IN MARBLE AND PORPHYRY, GIVE IT A PARTICULAR ASPECT FOR A RELIGIOUS BUILDING. Photo by Robert Palomba/Only France/ABACAPRESS.COM

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Illustration - Marseille

FRANCE. PROVENCE. BOUCHES-DU-RHONE (13) MARSEILLES. THE SAINTE-MARIE-MAJEURE CATHEDRAL, CALLED LA MAJOR. IT WAS BUILT (NEO-BYZANTINE STYLE) BETWEEN 1852 AND 1893 ON THE PLANS OF THE ARCHITECT LEON VAUDOYER. ITS ARCHITECTURE AND ITS INTERIOR DECORATION, IN MARBLE AND PORPHYRY, GIVE IT A PARTICULAR ASPECT FOR A RELIGIOUS BUILDING. Photo by Robert Palomba/Only France/ABACAPRESS.COM

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Illustration - Marseille

FRANCE. PROVENCE. BOUCHES-DU-RHONE (13) MARSEILLES. THE SAINTE-MARIE-MAJEURE CATHEDRAL, CALLED LA MAJOR. IT WAS BUILT (NEO-BYZANTINE STYLE) BETWEEN 1852 AND 1893 ON THE PLANS OF THE ARCHITECT LEON VAUDOYER. ITS ARCHITECTURE AND ITS INTERIOR DECORATION, IN MARBLE AND PORPHYRY, GIVE IT A PARTICULAR ASPECT FOR A RELIGIOUS BUILDING. Photo by Robert Palomba/Only France/ABACAPRESS.COM

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Illustration - Marseille

FRANCE. PROVENCE. BOUCHES-DU-RHONE (13) MARSEILLES. THE SAINTE-MARIE-MAJEURE CATHEDRAL, CALLED LA MAJOR. IT WAS BUILT (NEO-BYZANTINE STYLE) BETWEEN 1852 AND 1893 ON THE PLANS OF THE ARCHITECT LEON VAUDOYER. ITS ARCHITECTURE AND ITS INTERIOR DECORATION, IN MARBLE AND PORPHYRY, GIVE IT A PARTICULAR ASPECT FOR A RELIGIOUS BUILDING. Photo by Stephane Frances/Only France/ABACAPRESS.COM

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Illustration - Marseille

FRANCE. PROVENCE. BOUCHES-DU-RHONE (13) MARSEILLES. THE SAINTE-MARIE-MAJEURE CATHEDRAL, CALLED LA MAJOR. IT WAS BUILT (NEO-BYZANTINE STYLE) BETWEEN 1852 AND 1893 ON THE PLANS OF THE ARCHITECT LEON VAUDOYER. ITS ARCHITECTURE AND ITS INTERIOR DECORATION, IN MARBLE AND PORPHYRY, GIVE IT A PARTICULAR ASPECT FOR A RELIGIOUS BUILDING. Photo by Stephane Frances/Only France/ABACAPRESS.COM

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Illustration - Marseille

FRANCE. PROVENCE. BOUCHES-DU-RHONE (13) MARSEILLES. THE SAINTE-MARIE-MAJEURE CATHEDRAL, CALLED LA MAJOR. IT WAS BUILT (NEO-BYZANTINE STYLE) BETWEEN 1852 AND 1893 ON THE PLANS OF THE ARCHITECT LEON VAUDOYER. ITS ARCHITECTURE AND ITS INTERIOR DECORATION, IN MARBLE AND PORPHYRY, GIVE IT A PARTICULAR ASPECT FOR A RELIGIOUS BUILDING. Photo by Stephane Frances/Only France/ABACAPRESS.COM

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Illustration - Marseille

FRANCE. PROVENCE. BOUCHES-DU-RHONE (13) MARSEILLES. THE SAINTE-MARIE-MAJEURE CATHEDRAL, CALLED LA MAJOR. IT WAS BUILT (NEO-BYZANTINE STYLE) BETWEEN 1852 AND 1893 ON THE PLANS OF THE ARCHITECT LEON VAUDOYER. ITS ARCHITECTURE AND ITS INTERIOR DECORATION, IN MARBLE AND PORPHYRY, GIVE IT A PARTICULAR ASPECT FOR A RELIGIOUS BUILDING. Photo by Stephane Frances/Only France/ABACAPRESS.COM