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UK: Storm Goretti Triggers Snow Warnings, Wreaking Havoc Across Country

The Met Office issued weather warnings for heavy snow as Storm Goretti approaches the UK, warning of potential injuries and a danger to life. The severe weather caused major travel disruptions, thousands of power outages, and the closure of many schools.

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Taiwan: Rain And Winds Pick Up As Typhoon Krathon Approaches

Rain and winds started to pick up in Taipei on Monday, September 30 as Typhoon Krathon approached Taiwan.

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French leather craftsman shares life in China's Shenzhen

STORY: French leather craftsman shares life in China's Shenzhen SHOOTING TIME: Jan. 6, 2024 DATELINE: Jan. 27, 2024 LENGTH: 0:02:39 LOCATION: SHENZHEN, China CATEGORY: SOCIETY SHOTLIST: 1. various of Thomas Maurice (Courtesy of EyeShenzhen) 2. SOUNDBITE 1 (English): THOMAS MAURICE, French leather craftsman 3. SOUNDBITE 2 (English): THOMAS MAURICE, French leather craftsman 4. SOUNDBITE 3 (English): THOMAS MAURICE, French leather craftsman STORYLINE: SOUNDBITE 1 (English): THOMAS MAURICE, French leather craftsman "My name is Thomas Maurice. I'm from France. I'm working for DISSONA as a master craftsman. My skills come from (countries) like France and Italy. So most of the brand that I work for come from luxury sector." Around the age of 20, Thomas Maurice started to learn handicraft skills systematically, and served at many well-known European luxury brands for over a decade. In 2011, Maurice moved his career to China and joined the Shenzhen-based fashion brand DISSONA two years later. He then established

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CHINA-XINJIANG-KASHGAR-ANCIENT CITY-LIFE (CN)

(230911) -- KASHGAR, Sept. 11, 2023 (Xinhua) -- A craftsman makes ironware at the ancient city of Kashgar scenic area in Kashgar, northwest China's Xinjiang Uygur Autonomous Region, Sept. 7, 2023. The ancient city of Kashgar, located in southwestern Xinjiang, is the largest complex of raw earth buildings still in use in the world. (Xinhua/Jin Haoyuan)

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CHINA-XINJIANG-KASHGAR-ANCIENT CITY-LIFE (CN)

(230911) -- KASHGAR, Sept. 11, 2023 (Xinhua) -- A craftsman makes ironware at the ancient city of Kashgar scenic area in Kashgar, northwest China's Xinjiang Uygur Autonomous Region, Sept. 7, 2023. The ancient city of Kashgar, located in southwestern Xinjiang, is the largest complex of raw earth buildings still in use in the world. (Xinhua/Lan Hongguang)

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KOTO ARTIST

KOTO ARTIST,Tadao Sawai==Date:Dec, 1973, Place:JAPAN, (Credit:INTERNATIONAL MOTION PICTURE/Kyodo News Images)

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Life in Damascus

DAMASCUS, Syria - A leather craftsman uses a sewing machine at a shop in a craftwork market in Damascus, Syria, on Sept. 2, 2013, amid a civil war in the country.

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(MASTER OF CRAFTS) CHINA-HENAN-ZHENGZHOU-HIGH RELIEF RUBBING-INHERITOR (CN)

(221121) -- ZHENGZHOU, Nov. 21, 2022 (Xinhua) -- Li Renqing takes a dried rubbing off at his workshop in the cultural center of Jinshui District, Zhengzhou, central China's Henan Province, Nov. 16, 2022. Making rubbings for tablet inscriptions is a craft with a history of over 1,000 years in China, invented as a way to copy documents even before the art of printing. Upgrading the traditional rubbing craft which can only be applied to flat surface, Li Renqing, born in 1963 in Xinyang of central China's Henan Province, has been working for a whole life on rubbings of high relief cultural relics, making the once impossible task a mature craft. Different from flat rubbings, high relief rubbings require the craftsman to cut the Xuan paper into pieces according to the convex and concave of the sculpture, and then splice hundreds of pieces of paper together to reproduce the artwork. Such a craft can not only copy unmovable cultural relics in equal size, but can also record cracks and erosion on them, providing c

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(MASTER OF CRAFTS) CHINA-HENAN-ZHENGZHOU-HIGH RELIEF RUBBING-INHERITOR (CN)

(221121) -- ZHENGZHOU, Nov. 21, 2022 (Xinhua) -- This combo photo taken on Nov. 17, 2022 shows high relief rubbings by Li Renqing. Making rubbings for tablet inscriptions is a craft with a history of over 1,000 years in China, invented as a way to copy documents even before the art of printing. Upgrading the traditional rubbing craft which can only be applied to flat surface, Li Renqing, born in 1963 in Xinyang of central China's Henan Province, has been working for a whole life on rubbings of high relief cultural relics, making the once impossible task a mature craft. Different from flat rubbings, high relief rubbings require the craftsman to cut the Xuan paper into pieces according to the convex and concave of the sculpture, and then splice hundreds of pieces of paper together to reproduce the artwork. Such a craft can not only copy unmovable cultural relics in equal size, but can also record cracks and erosion on them, providing correct information for the observation and protection of cultural relics.

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(MASTER OF CRAFTS) CHINA-HENAN-ZHENGZHOU-HIGH RELIEF RUBBING-INHERITOR (CN)

(221121) -- ZHENGZHOU, Nov. 21, 2022 (Xinhua) -- Li Renqing instructs his apprentice to apply ink onto rubbing paper at an exhibition hall of Zhengzhou Shang Dynasty Ruins Museum in Zhengzhou, central China's Henan Province, Nov. 17, 2022. Making rubbings for tablet inscriptions is a craft with a history of over 1,000 years in China, invented as a way to copy documents even before the art of printing. Upgrading the traditional rubbing craft which can only be applied to flat surface, Li Renqing, born in 1963 in Xinyang of central China's Henan Province, has been working for a whole life on rubbings of high relief cultural relics, making the once impossible task a mature craft. Different from flat rubbings, high relief rubbings require the craftsman to cut the Xuan paper into pieces according to the convex and concave of the sculpture, and then splice hundreds of pieces of paper together to reproduce the artwork. Such a craft can not only copy unmovable cultural relics in equal size, but can also record cra

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(MASTER OF CRAFTS) CHINA-HENAN-ZHENGZHOU-HIGH RELIEF RUBBING-INHERITOR (CN)

(221121) -- ZHENGZHOU, Nov. 21, 2022 (Xinhua) -- This photo taken on Nov. 16, 2022 shows Li Renqing's tools for making high relief rubbings. Making rubbings for tablet inscriptions is a craft with a history of over 1,000 years in China, invented as a way to copy documents even before the art of printing. Upgrading the traditional rubbing craft which can only be applied to flat surface, Li Renqing, born in 1963 in Xinyang of central China's Henan Province, has been working for a whole life on rubbings of high relief cultural relics, making the once impossible task a mature craft. Different from flat rubbings, high relief rubbings require the craftsman to cut the Xuan paper into pieces according to the convex and concave of the sculpture, and then splice hundreds of pieces of paper together to reproduce the artwork. Such a craft can not only copy unmovable cultural relics in equal size, but can also record cracks and erosion on them, providing correct information for the observation and protection of cultur

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(MASTER OF CRAFTS) CHINA-HENAN-ZHENGZHOU-HIGH RELIEF RUBBING-INHERITOR (CN)

(221121) -- ZHENGZHOU, Nov. 21, 2022 (Xinhua) -- Li Renqing shows how to apply ink on rubbing paper at an exhibition hall of Zhengzhou Shang Dynasty Ruins Museum in Zhengzhou, central China's Henan Province, Nov. 17, 2022. Making rubbings for tablet inscriptions is a craft with a history of over 1,000 years in China, invented as a way to copy documents even before the art of printing. Upgrading the traditional rubbing craft which can only be applied to flat surface, Li Renqing, born in 1963 in Xinyang of central China's Henan Province, has been working for a whole life on rubbings of high relief cultural relics, making the once impossible task a mature craft. Different from flat rubbings, high relief rubbings require the craftsman to cut the Xuan paper into pieces according to the convex and concave of the sculpture, and then splice hundreds of pieces of paper together to reproduce the artwork. Such a craft can not only copy unmovable cultural relics in equal size, but can also record cracks and erosion o

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(MASTER OF CRAFTS) CHINA-HENAN-ZHENGZHOU-HIGH RELIEF RUBBING-INHERITOR (CN)

(221121) -- ZHENGZHOU, Nov. 21, 2022 (Xinhua) -- Li Renqing tamps rubbing paper with a brush at his workshop in the cultural center of Jinshui District, Zhengzhou, central China's Henan Province, Nov. 16, 2022. Making rubbings for tablet inscriptions is a craft with a history of over 1,000 years in China, invented as a way to copy documents even before the art of printing. Upgrading the traditional rubbing craft which can only be applied to flat surface, Li Renqing, born in 1963 in Xinyang of central China's Henan Province, has been working for a whole life on rubbings of high relief cultural relics, making the once impossible task a mature craft. Different from flat rubbings, high relief rubbings require the craftsman to cut the Xuan paper into pieces according to the convex and concave of the sculpture, and then splice hundreds of pieces of paper together to reproduce the artwork. Such a craft can not only copy unmovable cultural relics in equal size, but can also record cracks and erosion on them, prov

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(MASTER OF CRAFTS) CHINA-HENAN-ZHENGZHOU-HIGH RELIEF RUBBING-INHERITOR (CN)

(221121) -- ZHENGZHOU, Nov. 21, 2022 (Xinhua) -- Li Renqing splices pieces of rubbing paper for restoration at his workshop in the cultural center of Jinshui District, Zhengzhou, central China's Henan Province, Nov. 16, 2022. Making rubbings for tablet inscriptions is a craft with a history of over 1,000 years in China, invented as a way to copy documents even before the art of printing. Upgrading the traditional rubbing craft which can only be applied to flat surface, Li Renqing, born in 1963 in Xinyang of central China's Henan Province, has been working for a whole life on rubbings of high relief cultural relics, making the once impossible task a mature craft. Different from flat rubbings, high relief rubbings require the craftsman to cut the Xuan paper into pieces according to the convex and concave of the sculpture, and then splice hundreds of pieces of paper together to reproduce the artwork. Such a craft can not only copy unmovable cultural relics in equal size, but can also record cracks and erosio

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(MASTER OF CRAFTS) CHINA-HENAN-ZHENGZHOU-HIGH RELIEF RUBBING-INHERITOR (CN)

(221121) -- ZHENGZHOU, Nov. 21, 2022 (Xinhua) -- This undated file photo shows Li Renqing making rubbings at the Gongyi grotto temple in Gongyi, central China's Henan Province. Making rubbings for tablet inscriptions is a craft with a history of over 1,000 years in China, invented as a way to copy documents even before the art of printing. Upgrading the traditional rubbing craft which can only be applied to flat surface, Li Renqing, born in 1963 in Xinyang of central China's Henan Province, has been working for a whole life on rubbings of high relief cultural relics, making the once impossible task a mature craft. Different from flat rubbings, high relief rubbings require the craftsman to cut the Xuan paper into pieces according to the convex and concave of the sculpture, and then splice hundreds of pieces of paper together to reproduce the artwork. Such a craft can not only copy unmovable cultural relics in equal size, but can also record cracks and erosion on them, providing correct information for the

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(MASTER OF CRAFTS) CHINA-HENAN-ZHENGZHOU-HIGH RELIEF RUBBING-INHERITOR (CN)

(221121) -- ZHENGZHOU, Nov. 21, 2022 (Xinhua) -- Li Renqing sprays water on rubbing paper at his workshop in the cultural center of Jinshui District, Zhengzhou, central China's Henan Province, Nov. 16, 2022. Making rubbings for tablet inscriptions is a craft with a history of over 1,000 years in China, invented as a way to copy documents even before the art of printing. Upgrading the traditional rubbing craft which can only be applied to flat surface, Li Renqing, born in 1963 in Xinyang of central China's Henan Province, has been working for a whole life on rubbings of high relief cultural relics, making the once impossible task a mature craft. Different from flat rubbings, high relief rubbings require the craftsman to cut the Xuan paper into pieces according to the convex and concave of the sculpture, and then splice hundreds of pieces of paper together to reproduce the artwork. Such a craft can not only copy unmovable cultural relics in equal size, but can also record cracks and erosion on them, providi

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(MASTER OF CRAFTS) CHINA-HENAN-ZHENGZHOU-HIGH RELIEF RUBBING-INHERITOR (CN)

(221121) -- ZHENGZHOU, Nov. 21, 2022 (Xinhua) -- Li Renqing shows how to apply ink on rubbing paper at an exhibition hall of Zhengzhou Shang Dynasty Ruins Museum in Zhengzhou, central China's Henan Province, Nov. 17, 2022. Making rubbings for tablet inscriptions is a craft with a history of over 1,000 years in China, invented as a way to copy documents even before the art of printing. Upgrading the traditional rubbing craft which can only be applied to flat surface, Li Renqing, born in 1963 in Xinyang of central China's Henan Province, has been working for a whole life on rubbings of high relief cultural relics, making the once impossible task a mature craft. Different from flat rubbings, high relief rubbings require the craftsman to cut the Xuan paper into pieces according to the convex and concave of the sculpture, and then splice hundreds of pieces of paper together to reproduce the artwork. Such a craft can not only copy unmovable cultural relics in equal size, but can also record cracks and erosion o

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(MASTER OF CRAFTS) CHINA-HENAN-ZHENGZHOU-HIGH RELIEF RUBBING-INHERITOR (CN)

(221121) -- ZHENGZHOU, Nov. 21, 2022 (Xinhua) -- Li Renqing tamps rubbing paper with a brush at his workshop in the cultural center of Jinshui District, Zhengzhou, central China's Henan Province, Nov. 16, 2022. Making rubbings for tablet inscriptions is a craft with a history of over 1,000 years in China, invented as a way to copy documents even before the art of printing. Upgrading the traditional rubbing craft which can only be applied to flat surface, Li Renqing, born in 1963 in Xinyang of central China's Henan Province, has been working for a whole life on rubbings of high relief cultural relics, making the once impossible task a mature craft. Different from flat rubbings, high relief rubbings require the craftsman to cut the Xuan paper into pieces according to the convex and concave of the sculpture, and then splice hundreds of pieces of paper together to reproduce the artwork. Such a craft can not only copy unmovable cultural relics in equal size, but can also record cracks and erosion on them, prov

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(MASTER OF CRAFTS) CHINA-HENAN-ZHENGZHOU-HIGH RELIEF RUBBING-INHERITOR (CN)

(221121) -- ZHENGZHOU, Nov. 21, 2022 (Xinhua) -- Li Renqing applies ink on rubbing paper at an exhibition hall of Zhengzhou Shang Dynasty Ruins Museum in Zhengzhou, central China's Henan Province, Nov. 17, 2022. Making rubbings for tablet inscriptions is a craft with a history of over 1,000 years in China, invented as a way to copy documents even before the art of printing. Upgrading the traditional rubbing craft which can only be applied to flat surface, Li Renqing, born in 1963 in Xinyang of central China's Henan Province, has been working for a whole life on rubbings of high relief cultural relics, making the once impossible task a mature craft. Different from flat rubbings, high relief rubbings require the craftsman to cut the Xuan paper into pieces according to the convex and concave of the sculpture, and then splice hundreds of pieces of paper together to reproduce the artwork. Such a craft can not only copy unmovable cultural relics in equal size, but can also record cracks and erosion on them, pro

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(MASTER OF CRAFTS) CHINA-HENAN-ZHENGZHOU-HIGH RELIEF RUBBING-INHERITOR (CN)

(221121) -- ZHENGZHOU, Nov. 21, 2022 (Xinhua) -- Li Renqing watches a rubbing work at his workshop in the cultural center of Jinshui District, Zhengzhou, central China's Henan Province, Nov. 16, 2022. Making rubbings for tablet inscriptions is a craft with a history of over 1,000 years in China, invented as a way to copy documents even before the art of printing. Upgrading the traditional rubbing craft which can only be applied to flat surface, Li Renqing, born in 1963 in Xinyang of central China's Henan Province, has been working for a whole life on rubbings of high relief cultural relics, making the once impossible task a mature craft. Different from flat rubbings, high relief rubbings require the craftsman to cut the Xuan paper into pieces according to the convex and concave of the sculpture, and then splice hundreds of pieces of paper together to reproduce the artwork. Such a craft can not only copy unmovable cultural relics in equal size, but can also record cracks and erosion on them, providing corr

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(MASTER OF CRAFTS) CHINA-HENAN-ZHENGZHOU-HIGH RELIEF RUBBING-INHERITOR (CN)

(221121) -- ZHENGZHOU, Nov. 21, 2022 (Xinhua) -- Li Renqing shows how to apply ink on rubbing paper at an exhibition hall of Zhengzhou Shang Dynasty Ruins Museum in Zhengzhou, central China's Henan Province, Nov. 17, 2022. Making rubbings for tablet inscriptions is a craft with a history of over 1,000 years in China, invented as a way to copy documents even before the art of printing. Upgrading the traditional rubbing craft which can only be applied to flat surface, Li Renqing, born in 1963 in Xinyang of central China's Henan Province, has been working for a whole life on rubbings of high relief cultural relics, making the once impossible task a mature craft. Different from flat rubbings, high relief rubbings require the craftsman to cut the Xuan paper into pieces according to the convex and concave of the sculpture, and then splice hundreds of pieces of paper together to reproduce the artwork. Such a craft can not only copy unmovable cultural relics in equal size, but can also record cracks and erosion o

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(MASTER OF CRAFTS) CHINA-HENAN-ZHENGZHOU-HIGH RELIEF RUBBING-INHERITOR (CN)

(221121) -- ZHENGZHOU, Nov. 21, 2022 (Xinhua) -- Li Renqing splices pieces of rubbing paper for restoration at his workshop in the cultural center of Jinshui District, Zhengzhou, central China's Henan Province, Nov. 16, 2022. Making rubbings for tablet inscriptions is a craft with a history of over 1,000 years in China, invented as a way to copy documents even before the art of printing. Upgrading the traditional rubbing craft which can only be applied to flat surface, Li Renqing, born in 1963 in Xinyang of central China's Henan Province, has been working for a whole life on rubbings of high relief cultural relics, making the once impossible task a mature craft. Different from flat rubbings, high relief rubbings require the craftsman to cut the Xuan paper into pieces according to the convex and concave of the sculpture, and then splice hundreds of pieces of paper together to reproduce the artwork. Such a craft can not only copy unmovable cultural relics in equal size, but can also record cracks and erosio

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(MASTER OF CRAFTS) CHINA-HENAN-ZHENGZHOU-HIGH RELIEF RUBBING-INHERITOR (CN)

(221121) -- ZHENGZHOU, Nov. 21, 2022 (Xinhua) -- Li Renqing instructs his apprentice to apply ink onto rubbing paper at an exhibition hall of Zhengzhou Shang Dynasty Ruins Museum in Zhengzhou, central China's Henan Province, Nov. 17, 2022. Making rubbings for tablet inscriptions is a craft with a history of over 1,000 years in China, invented as a way to copy documents even before the art of printing. Upgrading the traditional rubbing craft which can only be applied to flat surface, Li Renqing, born in 1963 in Xinyang of central China's Henan Province, has been working for a whole life on rubbings of high relief cultural relics, making the once impossible task a mature craft. Different from flat rubbings, high relief rubbings require the craftsman to cut the Xuan paper into pieces according to the convex and concave of the sculpture, and then splice hundreds of pieces of paper together to reproduce the artwork. Such a craft can not only copy unmovable cultural relics in equal size, but can also record cra

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(MASTER OF CRAFTS) CHINA-HENAN-ZHENGZHOU-HIGH RELIEF RUBBING-INHERITOR (CN)

(221121) -- ZHENGZHOU, Nov. 21, 2022 (Xinhua) -- Li Renqing interprets rubbing works for an apprentice at an exhibition hall of Zhengzhou Shang Dynasty Ruins Museum in Zhengzhou, central China's Henan Province, Nov. 17, 2022. Making rubbings for tablet inscriptions is a craft with a history of over 1,000 years in China, invented as a way to copy documents even before the art of printing. Upgrading the traditional rubbing craft which can only be applied to flat surface, Li Renqing, born in 1963 in Xinyang of central China's Henan Province, has been working for a whole life on rubbings of high relief cultural relics, making the once impossible task a mature craft. Different from flat rubbings, high relief rubbings require the craftsman to cut the Xuan paper into pieces according to the convex and concave of the sculpture, and then splice hundreds of pieces of paper together to reproduce the artwork. Such a craft can not only copy unmovable cultural relics in equal size, but can also record cracks and erosio

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(MASTER OF CRAFTS) CHINA-HENAN-ZHENGZHOU-HIGH RELIEF RUBBING-INHERITOR (CN)

(221121) -- ZHENGZHOU, Nov. 21, 2022 (Xinhua) -- Li Renqing cuts rubbing paper at his workshop in the cultural center of Jinshui District, Zhengzhou, central China's Henan Province, Nov. 16, 2022. Making rubbings for tablet inscriptions is a craft with a history of over 1,000 years in China, invented as a way to copy documents even before the art of printing. Upgrading the traditional rubbing craft which can only be applied to flat surface, Li Renqing, born in 1963 in Xinyang of central China's Henan Province, has been working for a whole life on rubbings of high relief cultural relics, making the once impossible task a mature craft. Different from flat rubbings, high relief rubbings require the craftsman to cut the Xuan paper into pieces according to the convex and concave of the sculpture, and then splice hundreds of pieces of paper together to reproduce the artwork. Such a craft can not only copy unmovable cultural relics in equal size, but can also record cracks and erosion on them, providing correct

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(MASTER OF CRAFTS) CHINA-HENAN-ZHENGZHOU-HIGH RELIEF RUBBING-INHERITOR (CN)

(221121) -- ZHENGZHOU, Nov. 21, 2022 (Xinhua) -- This photo taken on Nov. 17, 2022 shows a part of a high relief rubbing by Li Renqing. Making rubbings for tablet inscriptions is a craft with a history of over 1,000 years in China, invented as a way to copy documents even before the art of printing. Upgrading the traditional rubbing craft which can only be applied to flat surface, Li Renqing, born in 1963 in Xinyang of central China's Henan Province, has been working for a whole life on rubbings of high relief cultural relics, making the once impossible task a mature craft. Different from flat rubbings, high relief rubbings require the craftsman to cut the Xuan paper into pieces according to the convex and concave of the sculpture, and then splice hundreds of pieces of paper together to reproduce the artwork. Such a craft can not only copy unmovable cultural relics in equal size, but can also record cracks and erosion on them, providing correct information for the observation and protection of cultural re

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(MASTER OF CRAFTS) CHINA-HENAN-ZHENGZHOU-HIGH RELIEF RUBBING-INHERITOR (CN)

(221121) -- ZHENGZHOU, Nov. 21, 2022 (Xinhua) -- Li Renqing applies ink onto rubbing paper at his workshop in the cultural center of Jinshui District, Zhengzhou, central China's Henan Province, Nov. 16, 2022. Making rubbings for tablet inscriptions is a craft with a history of over 1,000 years in China, invented as a way to copy documents even before the art of printing. Upgrading the traditional rubbing craft which can only be applied to flat surface, Li Renqing, born in 1963 in Xinyang of central China's Henan Province, has been working for a whole life on rubbings of high relief cultural relics, making the once impossible task a mature craft. Different from flat rubbings, high relief rubbings require the craftsman to cut the Xuan paper into pieces according to the convex and concave of the sculpture, and then splice hundreds of pieces of paper together to reproduce the artwork. Such a craft can not only copy unmovable cultural relics in equal size, but can also record cracks and erosion on them, provid

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(MASTER OF CRAFTS) CHINA-HENAN-ZHENGZHOU-HIGH RELIEF RUBBING-INHERITOR (CN)

(221121) -- ZHENGZHOU, Nov. 21, 2022 (Xinhua) -- Li Renqing prepares rubbing paper with a brush at his workshop in the cultural center of Jinshui District, Zhengzhou, central China's Henan Province, Nov. 16, 2022. Making rubbings for tablet inscriptions is a craft with a history of over 1,000 years in China, invented as a way to copy documents even before the art of printing. Upgrading the traditional rubbing craft which can only be applied to flat surface, Li Renqing, born in 1963 in Xinyang of central China's Henan Province, has been working for a whole life on rubbings of high relief cultural relics, making the once impossible task a mature craft. Different from flat rubbings, high relief rubbings require the craftsman to cut the Xuan paper into pieces according to the convex and concave of the sculpture, and then splice hundreds of pieces of paper together to reproduce the artwork. Such a craft can not only copy unmovable cultural relics in equal size, but can also record cracks and erosion on them, p

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(MASTER OF CRAFTS) CHINA-HENAN-ZHENGZHOU-HIGH RELIEF RUBBING-INHERITOR (CN)

(221121) -- ZHENGZHOU, Nov. 21, 2022 (Xinhua) -- Li Renqing makes rubbings at his workshop in the cultural center of Jinshui District, Zhengzhou, central China's Henan Province, Nov. 16, 2022. Making rubbings for tablet inscriptions is a craft with a history of over 1,000 years in China, invented as a way to copy documents even before the art of printing. Upgrading the traditional rubbing craft which can only be applied to flat surface, Li Renqing, born in 1963 in Xinyang of central China's Henan Province, has been working for a whole life on rubbings of high relief cultural relics, making the once impossible task a mature craft. Different from flat rubbings, high relief rubbings require the craftsman to cut the Xuan paper into pieces according to the convex and concave of the sculpture, and then splice hundreds of pieces of paper together to reproduce the artwork. Such a craft can not only copy unmovable cultural relics in equal size, but can also record cracks and erosion on them, providing correct info

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(MASTER OF CRAFTS) CHINA-HENAN-ZHENGZHOU-HIGH RELIEF RUBBING-INHERITOR (CN)

(221121) -- ZHENGZHOU, Nov. 21, 2022 (Xinhua) -- Li Renqing makes preparations at an exhibition hall of Zhengzhou Shang Dynasty Ruins Museum in Zhengzhou, central China's Henan Province, Nov. 17, 2022. Making rubbings for tablet inscriptions is a craft with a history of over 1,000 years in China, invented as a way to copy documents even before the art of printing. Upgrading the traditional rubbing craft which can only be applied to flat surface, Li Renqing, born in 1963 in Xinyang of central China's Henan Province, has been working for a whole life on rubbings of high relief cultural relics, making the once impossible task a mature craft. Different from flat rubbings, high relief rubbings require the craftsman to cut the Xuan paper into pieces according to the convex and concave of the sculpture, and then splice hundreds of pieces of paper together to reproduce the artwork. Such a craft can not only copy unmovable cultural relics in equal size, but can also record cracks and erosion on them, providing cor

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(MASTER OF CRAFTS) CHINA-HENAN-ZHENGZHOU-HIGH RELIEF RUBBING-INHERITOR (CN)

(221121) -- ZHENGZHOU, Nov. 21, 2022 (Xinhua) -- Li Renqing applies ink onto rubbing paper at his workshop in the cultural center of Jinshui District, Zhengzhou, central China's Henan Province, Nov. 16, 2022. Making rubbings for tablet inscriptions is a craft with a history of over 1,000 years in China, invented as a way to copy documents even before the art of printing. Upgrading the traditional rubbing craft which can only be applied to flat surface, Li Renqing, born in 1963 in Xinyang of central China's Henan Province, has been working for a whole life on rubbings of high relief cultural relics, making the once impossible task a mature craft. Different from flat rubbings, high relief rubbings require the craftsman to cut the Xuan paper into pieces according to the convex and concave of the sculpture, and then splice hundreds of pieces of paper together to reproduce the artwork. Such a craft can not only copy unmovable cultural relics in equal size, but can also record cracks and erosion on them, provid

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(MASTER OF CRAFTS) CHINA-HENAN-ZHENGZHOU-HIGH RELIEF RUBBING-INHERITOR (CN)

(221121) -- ZHENGZHOU, Nov. 21, 2022 (Xinhua) -- Li Renqing watches his rubbing work at an exhibition hall of Zhengzhou Shang Dynasty Ruins Museum in Zhengzhou, central China's Henan Province, Nov. 17, 2022. Making rubbings for tablet inscriptions is a craft with a history of over 1,000 years in China, invented as a way to copy documents even before the art of printing. Upgrading the traditional rubbing craft which can only be applied to flat surface, Li Renqing, born in 1963 in Xinyang of central China's Henan Province, has been working for a whole life on rubbings of high relief cultural relics, making the once impossible task a mature craft. Different from flat rubbings, high relief rubbings require the craftsman to cut the Xuan paper into pieces according to the convex and concave of the sculpture, and then splice hundreds of pieces of paper together to reproduce the artwork. Such a craft can not only copy unmovable cultural relics in equal size, but can also record cracks and erosion on them, providi

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(MASTER OF CRAFTS) CHINA-HENAN-ZHENGZHOU-HIGH RELIEF RUBBING-INHERITOR (CN)

(221121) -- ZHENGZHOU, Nov. 21, 2022 (Xinhua) -- This combo photo taken on Nov. 17, 2022 shows high relief rubbings by Li Renqing. Making rubbings for tablet inscriptions is a craft with a history of over 1,000 years in China, invented as a way to copy documents even before the art of printing. Upgrading the traditional rubbing craft which can only be applied to flat surface, Li Renqing, born in 1963 in Xinyang of central China's Henan Province, has been working for a whole life on rubbings of high relief cultural relics, making the once impossible task a mature craft. Different from flat rubbings, high relief rubbings require the craftsman to cut the Xuan paper into pieces according to the convex and concave of the sculpture, and then splice hundreds of pieces of paper together to reproduce the artwork. Such a craft can not only copy unmovable cultural relics in equal size, but can also record cracks and erosion on them, providing correct information for the observation and protection of cultural relics.

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(MASTER OF CRAFTS) CHINA-HENAN-ZHENGZHOU-HIGH RELIEF RUBBING-INHERITOR (CN)

(221121) -- ZHENGZHOU, Nov. 21, 2022 (Xinhua) -- Li Renqing displays a rubbing work at his workshop in the cultural center of Jinshui District, Zhengzhou, central China's Henan Province, Nov. 16, 2022. Making rubbings for tablet inscriptions is a craft with a history of over 1,000 years in China, invented as a way to copy documents even before the art of printing. Upgrading the traditional rubbing craft which can only be applied to flat surface, Li Renqing, born in 1963 in Xinyang of central China's Henan Province, has been working for a whole life on rubbings of high relief cultural relics, making the once impossible task a mature craft. Different from flat rubbings, high relief rubbings require the craftsman to cut the Xuan paper into pieces according to the convex and concave of the sculpture, and then splice hundreds of pieces of paper together to reproduce the artwork. Such a craft can not only copy unmovable cultural relics in equal size, but can also record cracks and erosion on them, providing cor

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CHINA-HEBEI-BAODING-LEATHER CARVING-DECEASED PETS (CN)

(220616) -- BAODING, June 16, 2022 (Xinhua) -- Wu Haidong colors a piece of leather at a workshop in Baoding City, north China's Hebei Province, June 1, 2022. For craftsman Wu Haidong, each of his leather carving works is not only a piece of art but also a unique carrier of memories. Wu, 34, has been focused on creating tailor-made leather objects carved with images of deceased pets. He is an inheritor of the intangible cultural heritage of Lianchi District, Baoding city, north China's Hebei Province. With a piece of leather, a carving knife, and a paintbrush, Wu is like a magician, bringing to life the remembered animals with exquisite carving skills. TO GO WITH "Feature: Leather carving artist brings solace to grieving pet owners" (Xinhua/Gao Bo)

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CHINA-HEBEI-BAODING-LEATHER CARVING-DECEASED PETS (CN)

(220616) -- BAODING, June 16, 2022 (Xinhua) -- Wu Haidong works on a piece of leather at a workshop in Baoding City, north China's Hebei Province, June 1, 2022. For craftsman Wu Haidong, each of his leather carving works is not only a piece of art but also a unique carrier of memories. Wu, 34, has been focused on creating tailor-made leather objects carved with images of deceased pets. He is an inheritor of the intangible cultural heritage of Lianchi District, Baoding city, north China's Hebei Province. With a piece of leather, a carving knife, and a paintbrush, Wu is like a magician, bringing to life the remembered animals with exquisite carving skills. TO GO WITH "Feature: Leather carving artist brings solace to grieving pet owners" (Xinhua/Gao Bo)

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CHINA-HEBEI-BAODING-LEATHER CARVING-DECEASED PETS (CN)

(220616) -- BAODING, June 16, 2022 (Xinhua) -- Photo taken on June 1, 2022 shows a leather carving work made by Wu Haidong in Baoding City, north China's Hebei Province. For craftsman Wu Haidong, each of his leather carving works is not only a piece of art but also a unique carrier of memories. Wu, 34, has been focused on creating tailor-made leather objects carved with images of deceased pets. He is an inheritor of the intangible cultural heritage of Lianchi District, Baoding city, north China's Hebei Province. With a piece of leather, a carving knife, and a paintbrush, Wu is like a magician, bringing to life the remembered animals with exquisite carving skills. TO GO WITH "Feature: Leather carving artist brings solace to grieving pet owners" (Xinhua/Gao Bo)

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CHINA-HEBEI-BAODING-LEATHER CARVING-DECEASED PETS (CN)

(220616) -- BAODING, June 16, 2022 (Xinhua) -- Wu Haidong works on a piece of leather at a workshop in Baoding City, north China's Hebei Province, June 1, 2022. For craftsman Wu Haidong, each of his leather carving works is not only a piece of art but also a unique carrier of memories. Wu, 34, has been focused on creating tailor-made leather objects carved with images of deceased pets. He is an inheritor of the intangible cultural heritage of Lianchi District, Baoding city, north China's Hebei Province. With a piece of leather, a carving knife, and a paintbrush, Wu is like a magician, bringing to life the remembered animals with exquisite carving skills. TO GO WITH "Feature: Leather carving artist brings solace to grieving pet owners" (Xinhua/Gao Bo)

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Japanese armor returns to life in suburban British home

Craftsman Robert Soanes works on a shoulder guard from a suit of samurai armor at his workshop in Brighton, England on Aug. 11, 2017. Soanes is one of only a handful of western restorers of Japanese warrior armor. (Kyodo) ==Kyodo

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Japanese armor returns to life in suburban British home

Craftsman Robert Soanes restores a decorative dragon fitting for a samurai helmet at his workshop in Brighton, England on Aug. 11, 2017. Soanes is one of only a handful of western restorers of Japanese warrior armor. (Kyodo) ==Kyodo

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Making unbrellas

This is a scene in an umbrella workshop. The umbrellas visible here, called bangasa, were used daily by commoners during the Edo Period. The man is writing something on the finished umbrella. It was common practice to write the names of customers or shops on umbrellas.==Date:unknown, Place:unknown, Photo:unknown, (Credit:Nagasaki University Library/Kyodo News Images) [Cabinet Number96‐20‐0]

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Making unbrellas

This is a scene in an umbrella workshop. The man seems to be repairing a bangasa, the umbrella popular among the common people during the Edo Period. He is checking to see if previous repair work was done properly.==Date:unknown, Place:unknown, Photo:unknown, (Credit:Nagasaki University Library/Kyodo News Images) [Cabinet Number96‐14‐0]

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A candy maker

A craftsman is blowing air into a heated amezaiku (candy made from wheat-gluten) figure, while a girl looks at the various displayed figures. This traditional art was performed on the street until not long ago.==Date:unknown, Place:unknown, Photo:unknown, (Credit:Nagasaki University Library/Kyodo News Images) [Cabinet Number89‐19‐0]

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Making unbrellas

This is scene in an umbrella workshop. The umbrellas visible here, called bangasa, were used daily by commoners during the Edo Period. The man is pasting sheets of fan-shaped paper called hiragami on the main frame. The boy on the right is applying shibu (persimmon tannin) to an umbrella.==Date:unknown, Place:unknown, Photo:unknown, (Credit:Nagasaki University Library/Kyodo News Images) [Cabinet Number88‐45‐0]

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A cargo carrier

The life of commoners was free and open as shown in this photograph. Men were almost naked on hot days, wearing only head towels, loincloths and straw sandals. These men are most likely gardeners.==Date:unknown, Place:unknown, Photo:unknown, (Credit:Nagasaki University Library/Kyodo News Images) [Cabinet Number69‐47‐0]

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Workmen having lunch

Four craftsmen are having lunch, holding lunch boxes and tea cups. A large pail, ladle, trowel for plastering and other tools are visible. A ladder is visible in the back.==Date:unknown, Place:unknown, Photo:unknown, (Credit:Nagasaki University Library/Kyodo News Images) [Cabinet Number64‐34‐0]

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Making unbrellas

This is scene in an umbrella workshop. The umbrellas visible here, called bangasa, were used daily by commoners during the Edo Period. This is the stage at which the nokigami, is attached to the edge of the spokes to reinforce the outer edge of the umbrella.==Date:unknown, Place:unknown, Photo:unknown, (Credit:Nagasaki University Library/Kyodo News Images) [Cabinet Number57‐1‐2]

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Making unbrellas

This is scene in an umbrella workshop. The umbrellas visible here, called bangasa, were used daily by commoners during the Edo Period. The man is pasting a fan-shaped sheet of paper called hiragami to the main frame.==Date:unknown, Place:unknown, Photo:unknown, (Credit:Nagasaki University Library/Kyodo News Images) [Cabinet Number51‐11‐0]

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Greeting man and woman

A wife dressed in everyday clothes and a craftsman in patchi (long underwear), happi and sandals exchange greetings in front of her house. The man has a top-knot, but this is obviouslya wig. (Dramatized photo)==Date:unknown, Place:unknown, Photo:unknown, (Credit:Nagasaki University Library/Kyodo News Images) [Cabinet Number18‐43‐0]