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End of the year 'Desfile de Viudas' at the Multicolor Border Carnival in Ipiales, Colombia

Participants dressed as “widows” take part in the traditional 'Desfile de Viudas' during the Multicolor Border Carnival in Ipiales, Colombia. The parade symbolically marks the end of the festive year through satire, humor, and social criticism, with performers using theatrical costumes and irony to comment on political, social, and everyday issues, reinforcing the carnival’s transgressive spirit along the Colombia–Ecuador border. Photo by: Camilo Erasso/Long Visual Press/ABACAPRESS.COM

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End of the year 'Desfile de Viudas' at the Multicolor Border Carnival in Ipiales, Colombia

Participants dressed as “widows” take part in the traditional 'Desfile de Viudas' during the Multicolor Border Carnival in Ipiales, Colombia. The parade symbolically marks the end of the festive year through satire, humor, and social criticism, with performers using theatrical costumes and irony to comment on political, social, and everyday issues, reinforcing the carnival’s transgressive spirit along the Colombia–Ecuador border. Photo by: Camilo Erasso/Long Visual Press/ABACAPRESS.COM

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End of the year 'Desfile de Viudas' at the Multicolor Border Carnival in Ipiales, Colombia

Participants dressed as “widows” take part in the traditional 'Desfile de Viudas' during the Multicolor Border Carnival in Ipiales, Colombia. The parade symbolically marks the end of the festive year through satire, humor, and social criticism, with performers using theatrical costumes and irony to comment on political, social, and everyday issues, reinforcing the carnival’s transgressive spirit along the Colombia–Ecuador border. Photo by: Camilo Erasso/Long Visual Press/ABACAPRESS.COM

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End of the year 'Desfile de Viudas' at the Multicolor Border Carnival in Ipiales, Colombia

Participants dressed as “widows” take part in the traditional 'Desfile de Viudas' during the Multicolor Border Carnival in Ipiales, Colombia. The parade symbolically marks the end of the festive year through satire, humor, and social criticism, with performers using theatrical costumes and irony to comment on political, social, and everyday issues, reinforcing the carnival’s transgressive spirit along the Colombia–Ecuador border. Photo by: Camilo Erasso/Long Visual Press/ABACAPRESS.COM

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End of the year 'Desfile de Viudas' at the Multicolor Border Carnival in Ipiales, Colombia

Participants dressed as “widows” take part in the traditional 'Desfile de Viudas' during the Multicolor Border Carnival in Ipiales, Colombia. The parade symbolically marks the end of the festive year through satire, humor, and social criticism, with performers using theatrical costumes and irony to comment on political, social, and everyday issues, reinforcing the carnival’s transgressive spirit along the Colombia–Ecuador border. Photo by: Camilo Erasso/Long Visual Press/ABACAPRESS.COM

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End of the year 'Desfile de Viudas' at the Multicolor Border Carnival in Ipiales, Colombia

Participants dressed as “widows” take part in the traditional 'Desfile de Viudas' during the Multicolor Border Carnival in Ipiales, Colombia. The parade symbolically marks the end of the festive year through satire, humor, and social criticism, with performers using theatrical costumes and irony to comment on political, social, and everyday issues, reinforcing the carnival’s transgressive spirit along the Colombia–Ecuador border. Photo by: Camilo Erasso/Long Visual Press/ABACAPRESS.COM

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End of the year 'Desfile de Viudas' at the Multicolor Border Carnival in Ipiales, Colombia

Participants dressed as “widows” take part in the traditional 'Desfile de Viudas' during the Multicolor Border Carnival in Ipiales, Colombia. The parade symbolically marks the end of the festive year through satire, humor, and social criticism, with performers using theatrical costumes and irony to comment on political, social, and everyday issues, reinforcing the carnival’s transgressive spirit along the Colombia–Ecuador border. Photo by: Camilo Erasso/Long Visual Press/ABACAPRESS.COM

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End of the year 'Desfile de Viudas' at the Multicolor Border Carnival in Ipiales, Colombia

Participants dressed as “widows” take part in the traditional 'Desfile de Viudas' during the Multicolor Border Carnival in Ipiales, Colombia. The parade symbolically marks the end of the festive year through satire, humor, and social criticism, with performers using theatrical costumes and irony to comment on political, social, and everyday issues, reinforcing the carnival’s transgressive spirit along the Colombia–Ecuador border. Photo by: Camilo Erasso/Long Visual Press/ABACAPRESS.COM

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End of the year 'Desfile de Viudas' at the Multicolor Border Carnival in Ipiales, Colombia

Participants dressed as “widows” take part in the traditional 'Desfile de Viudas' during the Multicolor Border Carnival in Ipiales, Colombia. The parade symbolically marks the end of the festive year through satire, humor, and social criticism, with performers using theatrical costumes and irony to comment on political, social, and everyday issues, reinforcing the carnival’s transgressive spirit along the Colombia–Ecuador border. Photo by: Camilo Erasso/Long Visual Press/ABACAPRESS.COM

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End of the year 'Desfile de Viudas' at the Multicolor Border Carnival in Ipiales, Colombia

Participants dressed as “widows” take part in the traditional 'Desfile de Viudas' during the Multicolor Border Carnival in Ipiales, Colombia. The parade symbolically marks the end of the festive year through satire, humor, and social criticism, with performers using theatrical costumes and irony to comment on political, social, and everyday issues, reinforcing the carnival’s transgressive spirit along the Colombia–Ecuador border. Photo by: Camilo Erasso/Long Visual Press/ABACAPRESS.COM

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End of the year 'Desfile de Viudas' at the Multicolor Border Carnival in Ipiales, Colombia

Participants dressed as “widows” take part in the traditional 'Desfile de Viudas' during the Multicolor Border Carnival in Ipiales, Colombia. The parade symbolically marks the end of the festive year through satire, humor, and social criticism, with performers using theatrical costumes and irony to comment on political, social, and everyday issues, reinforcing the carnival’s transgressive spirit along the Colombia–Ecuador border. Photo by: Camilo Erasso/Long Visual Press/ABACAPRESS.COM

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End of the year 'Desfile de Viudas' at the Multicolor Border Carnival in Ipiales, Colombia

Participants dressed as “widows” take part in the traditional 'Desfile de Viudas' during the Multicolor Border Carnival in Ipiales, Colombia. The parade symbolically marks the end of the festive year through satire, humor, and social criticism, with performers using theatrical costumes and irony to comment on political, social, and everyday issues, reinforcing the carnival’s transgressive spirit along the Colombia–Ecuador border. Photo by: Camilo Erasso/Long Visual Press/ABACAPRESS.COM

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Veteran cartoonist Kato dies at 80

TOKYO, Japan - Veteran cartoonist Yoshiro Kato (file photo), known for the newspaper strips he drew for decades portraying ordinary people's lives with satire, died of respiratory failure on Jan. 6, family members said Jan. 16. He was 80.

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Veteran cartoonist Kato dies at 80

TOKYO, Japan - Veteran cartoonist Yoshiro Kato (file photo), known for the newspaper strips he drew for decades portraying ordinary people's lives with satire, died of respiratory failure on Jan. 6, family members said Jan. 16. He was 80.

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Epic Movie (2007)

Kal Penn & Darrell Hammond Characters: Edward & Captain Jack Swallows Television: Epic Movie (USA 2007) Director: Jason Friedberg, Aaron Seltzer 25 January 2007 Date: 25 January 2007

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Epic Movie (2007)

Paul Zies & Adam Campbell Characters: Thug & Peter Television: Epic Movie (USA 2007) Director: Jason Friedberg, Aaron Seltzer 25 January 2007 Date: 25 January 2007

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Epic Movie (2007)

Rico Rodriguez & Kal Penn Characters: Chanchito & Edward Television: Epic Movie (USA 2007) Director: Jason Friedberg, Aaron Seltzer 25 January 2007 Date: 25 January 2007

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Epic Movie (2007)

Brooklyn Freed, Darko Belgrade & Michelle Misty Lang Characters: BOND GIRL, JAMES BOND & BOND GIRL Television: Epic Movie (USA 2007) Director: Jason Friedberg, Aaron Seltzer 25 January 2007 Date: 25 January 2007

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Epic Movie (2007)

Jareb Dauplaise & Kal Penn Characters: Nacho Libre & Edward Television: Epic Movie (USA 2007) Director: Jason Friedberg, Aaron Seltzer 25 January 2007 Date: 25 January 2007

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Epic Movie (2007)

Jayma Mays, Adam Campbell, Faune A. Chambers, Kevin Mcdonald, Crista Flanagan & George Alvarez Characters: Lucy,Peter,Susan (as Faune Chambers),Harry Potter,Hermoine & Ron Television: Epic Movie (USA 2007) Director: Jason Friedberg, Aaron Seltzer 25 January 2007 Date: 25 January 2007

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Epic Movie (2007)

Kal Penn, Jayma Mays, Faune A. Chambers & Adam Campbell Characters: Edward,Lucy,Susan (as Faune Chambers) & Peter Television: Epic Movie (USA 2007) Director: Jason Friedberg, Aaron Seltzer 25 January 2007 Date: 25 January 2007

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Epic Movie (2007)

Kal Penn, Jayma Mays, Crispin Glover, Faune A. Chambers & Adam Campbell Characters: Edward,Lucy,Willy,Susan (as Faune Chambers) & Peter Television: Epic Movie (USA 2007) Director: Jason Friedberg, Aaron Seltzer 25 January 2007 Date: 25 January 2007

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Epic Movie (2007)

Adam Campbell, Faune A. Chambers & Jayma Mays Characters: Peter,Susan (as Faune Chambers) & Lucy Television: Epic Movie (USA 2007) Director: Jason Friedberg, Aaron Seltzer 25 January 2007 Date: 25 January 2007

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Epic Movie (2007)

Kal Penn, Adam Campbell, Faune A. Chambers & Jayma Mays Characters: Edward,Peter,Susan (as Faune Chambers) & Lucy Television: Epic Movie (USA 2007) Director: Jason Friedberg, Aaron Seltzer 25 January 2007 Date: 25 January 2007

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Epic Movie (2007)

Faune A. Chambers & Snakes Characters: SUSAN (AS FAUNE CHAMBERS) Television: Epic Movie (USA 2007) Director: Jason Friedberg, Aaron Seltzer 25 January 2007 Date: 25 January 2007

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Epic Movie (2007)

Jennifer Coolidge, Tony Cox & Kal Penn Characters: White Bitch,Bink & Edward Television: Epic Movie (USA 2007) Director: Jason Friedberg, Aaron Seltzer 25 January 2007 Date: 25 January 2007

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Epic Movie (2007)

Faune A. Chambers, Adam Campbell, Jayma Mays & Kal Penn Characters: Susan (as Faune Chambers),Peter,Lucy & Edward Television: Epic Movie (USA 2007) Director: Jason Friedberg, Aaron Seltzer 25 January 2007 Date: 25 January 2007

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Epic Movie (2007)

Darrell Hammond Characters: Captain Jack Swallows Television: Epic Movie (USA 2007) Director: Jason Friedberg, Aaron Seltzer 25 January 2007 Date: 25 January 2007

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Epic Movie (2007)

Tony Cox, Jennifer Coolidge & Kevin Hart Characters: Bink,White Bitch & Silas (uncredited) Television: Epic Movie (USA 2007) Director: Jason Friedberg, Aaron Seltzer 25 January 2007 Date: 25 January 2007

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WW2 - US Propaganda - Hitler, Hirohito, Mussolini as Monkeys

WW2 - US Propaganda - The Axis leaders Adolf Hitler, Emperor Hirohito and Benito Mussolini as Monkeys in the Zoo. This \"Slam the Axis\" postcard\'s caption reads: \"Look! Uncle Sam made Monkeys of \'em\".circa 1944

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Cartoon, The Kaiser's Christmas Dinner in London, WW1

Cartoon, The Kaiser's Coming Christmas Dinner in London: Our Illustrated Menu. The Kaiser had announced his intention of eating his Christmas dinner in London, following a planned invasion during the early stages of the First World War. Dishes on offer, making much of Allied forces, are: Russian Caviare, Belgian Rabbit Pie a la Liege (hard crust), Australian Kangaroo Tail, Indian Curry (served red hot), Gigot de Mouton (New Zealand), Elephant's Foot d'Afrique, Piece de Resistance, Pudding de Noel Anglais, Vins d'Italie, Fromage Cheddar (Canadian), Cafe Francais assez fort. There are Japanese illuminations and fireworks, and a waiter with swords saying Servia Sir to the Kaiser who lies in bed trying to get to sleep, no doubt kept awake by indigestion. Date: September 1914

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Russian Bear trapped up a pole by the Japanese

Dudley Hardy - 'Stuck' ; Humorous postcard relating to the Russo-Japanese War of 1904-1905. The sender has added the comment "Good Old Japs" onto the pole. Date: circa 1905

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Messalina by Aubrey Beardsley

Messalina and her companion by Aubrey Beardsley, an illustration to an edition of the Roman satirist Juvenal's Sixth Satire. Messalina was the wife of the Roman emperor Claudius. Date: 1895

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Satire on art of Aubrey Beardsley

How It Is Done, an Art-Recipe. A satirical drawing published in Punch in 1894 on the art of Aubrey Beardsley, a controversial artist seen as a decadent in the 1890s. A Beardsley-esque woman with a parasol and a gown emblazoned with a skull startles a top-hatted man and a black cat. The artist has made fun of several of Beardsley's signature shapes and styles and has included items associated with the aesthetic movement such as a peacock feather. Date: 1894

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Satire on art of Aubrey Beardsley

Airs Resumptive. V. - Lilith Libifera (after Rossetti). A satirical drawing and poem published in Punch in 1894 on the art of Aubrey Beardsley. Beardsley's Portrait of the Artist in Bed is caricatured as 'portrait of the artist in bed(lam), puzzle - to find him', with Beardsley-style faces in the fabric pattern. The poem satirises Beardsley as Whiskersley and The Yellow Book as The Bilious Book. Date: 1894

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Satire on art of Aubrey Beardsley

Drawing in Punch, 1894, satirising the unique and controversial artistic style of Aubrey Beardsley. The artist's name used, 'Mortarthurio Whiskersley', references Beardsley's series of illustrations to Malory's Morte d'Arthur. Date: 1894

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Cartoon impression of the Russo-Japanese War 4 of 5

Card 4 of 5 - 'Intervention'. A cartoon interpretation of the Russo-Japanese war, acted out by the principal ruling individuals from the International Community. The Russo-Japanese War was a conflict that grew out of the rival imperialist ambitions of the Russian Empire and the Empire of Japan over Manchuria and Korea. The major theatres of operations were Southern Manchuria, specifically the area around the Liaodong Peninsula and Mukden, and the seas around Korea, Japan, and the Yellow Sea. Japan inflicted a series of stunning defeats on the Russian Navy, principally at Tsushima in May 1905. In this fourth card, Tsar Nicholas II and the Japanese Emperor Meiji are forcibly pulled apart by the rulers of the International community supporting each of their causes. For the Russians this includes the French, for the Japanese, the British and Italians. Date: 1905

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Cartoon impression of the Russo-Japanese War 3 of 5

Card 3 of 5 - 'The Wrestlers'. A cartoon interpretation of the Russo-Japanese war, acted out by the principal ruling individuals from the International Community. The Russo-Japanese War was a conflict that grew out of the rival imperialist ambitions of the Russian Empire and the Empire of Japan over Manchuria and Korea. The major theatres of operations were Southern Manchuria, specifically the area around the Liaodong Peninsula and Mukden, and the seas around Korea, Japan, and the Yellow Sea. Japan inflicted a series of stunning defeats on the Russian Navy, principally at Tsushima in May 1905. In this third card, Tsar Nicholas II and the Japanese Emperor wrestle with each other whilst the International community watches on, forming up behind the side they are supporting. Date: 1905

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Cartoon impression of the Russo-Japanese War 2 of 5

Card 2 of 5 - 'The Attack'. A cartoon interpretation of the Russo-Japanese war, acted out by the principal ruling individuals from the International Community. The Russo-Japanese War was a conflict that grew out of the rival imperialist ambitions of the Russian Empire and the Empire of Japan over Manchuria and Korea. The major theatres of operations were Southern Manchuria, specifically the area around the Liaodong Peninsula and Mukden, and the seas around Korea, Japan, and the Yellow Sea. Japan inflicted a series of stunning defeats on the Russian Navy, principally at Tsushima in May 1905. In this second card, Tsar Nicolas II is surprised by an attack by the Japanese Emperor Meiji, whilst the International community (still standing quite far back from proceedings) show a mixture of delight and alarm depending on their support for either side. Date: 1905

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Satire on Tsar Nicholas II of Russia

A satirical French cartoon on the subject of Tsar Nicholas II (Nikolay Alexandrovich Romanov), the last Emperor of Russia, with a reference to the peace treaty which ended the Russo-Japanese War (1904-5). Date: circa 1905

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Cartoon impression of the Russo-Japanese War 1 of 5

Card 1 of 5 - 'Preliminaries'. A cartoon interpretation of the Russo-Japanese war, acted out by the principal ruling individuals from the International Community. The War was a conflict that grew out of the rival imperialist ambitions of the Russian Empire and the Empire of Japan over Manchuria and Korea. The major theatres of operations were Southern Manchuria, specifically the area around the Liaodong Peninsula and Mukden, and the seas around Korea, Japan, and the Yellow Sea. Japan inflicted a series of stunning defeats on the Russian Navy, principally at Tsushima in May 1905. In this first card, Tsar Nicolas II and the Japanese Emperor Meiji trade insults and spit at each other whilst the International community stands quite far back from proceedings. Date: 1905

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The Deformito-Mania

Satirical cartoon on what Punch calls the "taste for the Monstrous" by the general public, encouraged particularly by the exhibits at the Egyptian Hall in Piccadilly, London whose walls are placarded with bills announcing the display of deformities and ugliness. Date: 1847

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Maneater Poster

Maneater Poster - Satire of Adolf Hitler gnawing on the bones of France, Romania, Yugoslavia, Poland, Belgium and Greece after the nazi invasions there. Reproduced from an original design presented to Lord Beaverbrook on the instruction of M. Stalin.

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Satire on art of Aubrey Beardsley

Britannia a la Beardsley. A 'Punch' artist depicts Britannia as he thinks Aubrey Beardsley might draw her. Date: 1894

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Satire on art of Aubrey Beardsley

Satire on the 'New Nuisance', the New Woman drawn by a 'Judy' illustrator as Aubrey Beardsley might have drawn her. Date: 1895

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Satire on The Yellow Book

Punch's satirical view of the fin-de-siecle publishing phenomenon, The Yellow Book, whose art editor was Aubrey Beardsley caricatured here. The publisher of The Yellow Book was The Bodley Head (here labelled The Bogey Head) owned by John Lane and Elkin Mathews. Date: 1895

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French daily's chief editor comments on Charlie Hebdo shooting

Laurent Joffrin, chief editor of the French daily newspaper Liberation, speaks in an interview on Feb. 4, 2015. Joffrin criticized the shooting attack on the satirical weekly newspaper Charlie Hebdo as having crossed the line for freedom of expression while also voicing reservations over satire targeting minorities in the French society. (Kyodo) ==Kyodo

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French daily's chief editor comments on Charlie Hebdo shooting

Laurent Joffrin, chief editor of the French daily newspaper Liberation, speaks in an interview on Feb. 4, 2015. Joffrin criticized the shooting attack on the satirical weekly newspaper Charlie Hebdo as having crossed the line for freedom of expression while also expressing reservations over satire targeting minorities in the French society. (Kyodo) ==Kyodo

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"Parasite" director meets S. Korean president

Bong Joon Ho (L), director of the Oscar-winning film "Parasite," talks with South Korean President Moon Jae In in Seoul on Feb. 20, 2020. The social satire became the first non-English language film to win the 2020 Academy Award for best picture. (Kyodo) ==Kyodo