(ChineseToday)CHINA-LIAONING-YINGKOU-LUTHIER (CN)

(ChineseToday)CHINA-LIAONING-YINGKOU-LUTHIER (CN)

(240111) -- SHENYANG, Jan. 11, 2024 (Xinhua) -- Yu Haixu checks the painting on the surface of a violin at his studio in Yingkou, northeast China's Liaoning Province on Jan. 9, 2024. Yu Haixu is a luthier working in Yingkou City of northeast China's Liaoning Province. Influenced by his father since childhood, he gradually grew attached to the sophisticated making crafts of the violin family and started working as a luthier after graduation from the university, majoring in the making of violins as well as other bowed instruments like violas and cellos. From raw materials to a fine instrument, each handmade violin, viola or cello needs to go through more than 100 complicated procedures and requires the refined skills and great patience of a luthier. After years of practice, Yu Haixu has long been familiar with these processes. "I hope the making crafts of the violin family can be passed on," said Yu, "I also hope that more people can enjoy playing a handmade one while being warmed and touched by its rich

  • Product Code
  • ILEA002166436
  • Registered date
  • 2024/1/11 00:00:00
  • Credit
  • Xinhua / Kyodo News Images
  • Media source
  • Xinhua News Agency.All Rights Reserved
  • Media size
  • 2976 × 2432 pixel
  • Resolution
  • dpi
  • Deployment size
  • 2.15(MB)*
  • Special instruction

*File size when opened in Photoshop, etc.

Similar Images & Videos
    (MASTER OF CRAFTS) CHINA-BEIJING-PALACE CARPET-INHERITOR-STUDIO (CN)

    (MASTER OF CRAFTS) CHINA-BEIJING-PALACE CARPET-INHERITOR-STUDIO (CN)

    (240629) -- BEIJING, June 29, 2024 Photo by Xinhua/ABACAPRESS.COM) -- This undated photo shows materials dyed with Chinese herbs and medicines for making palace carpet at the factory of Ji Yu in central China's Henan Province. Beijing palace carpet is a splendid example of China's traditional carpet weaving techniques. Known for its intricate production processes and beautiful patterns, the palace carpet represents the pinnacle of Chinese weaving artistry. The production involves four main steps: dyeing with traditional Chinese herbs, pattern design, weaving and shaping, and finally, finishing touches. As one of the "Beijing Eight Imperial Handicrafts," the art of palace carpet was designated a national intangible cultural heritage in 2008. Ji Yu, born in 1971 in central China's Henan Province, has dedicated over 30 years to the repair and creation of traditional palace carpets. In 1995, along with her husband Li Dongyang, she moved to Beijing to specialize in restoring ancient carpets. Over the years, the co
      (MASTER OF CRAFTS)CHINA-JADE CARVING-INHERITOR-STUDIO (CN)

      (MASTER OF CRAFTS)CHINA-JADE CARVING-INHERITOR-STUDIO (CN)

      (240625) -- BEIJING, June 25, 2024 (Xinhua) -- Zhang Tiecheng poses for a photo at his studio in Beijing, capital of China, June 15, 2024. China's Jade carving art, which can date back to the Neolithic Age, reached its peak time in the Ming and Qing dynasties (1368-1911). The art was inscribed into the national intangible cultural heritage list in 2008. Selecting materials, designing and carving are the three major steps involved in jade carving. The craftsmen should have mastery in painting, carving and literature in order to complete an artwork, which is designed and carved according to the material itself and the aspiration of the artist. Most of the jade carving artworks convey auspicious meanings. Zhang Tiecheng, a master of the jade carving art born in Beijing in 1967, has devoted his love to traditional Chinese paintings since childhood. In 1987, he was enrolled in the Beijing Jade Articles Factory and became an apprentice of master Wang Yaotang. In his over 30 years' career, Zhang learned skills
        (MASTER OF CRAFTS)CHINA-JADE CARVING-INHERITOR-STUDIO (CN)

        (MASTER OF CRAFTS)CHINA-JADE CARVING-INHERITOR-STUDIO (CN)

        (240625) -- BEIJING, June 25, 2024 (Xinhua) -- Zhang Tiecheng poses for a photo at his studio in Beijing, capital of China, June 15, 2024. China's Jade carving art, which can date back to the Neolithic Age, reached its peak time in the Ming and Qing dynasties (1368-1911). The art was inscribed into the national intangible cultural heritage list in 2008. Selecting materials, designing and carving are the three major steps involved in jade carving. The craftsmen should have mastery in painting, carving and literature in order to complete an artwork, which is designed and carved according to the material itself and the aspiration of the artist. Most of the jade carving artworks convey auspicious meanings. Zhang Tiecheng, a master of the jade carving art born in Beijing in 1967, has devoted his love to traditional Chinese paintings since childhood. In 1987, he was enrolled in the Beijing Jade Articles Factory and became an apprentice of master Wang Yaotang. In his over 30 years' career, Zhang learned skills
          (MASTER OF CRAFTS)CHINA-JADE CARVING-INHERITOR-STUDIO (CN)

          (MASTER OF CRAFTS)CHINA-JADE CARVING-INHERITOR-STUDIO (CN)

          (240625) -- BEIJING, June 25, 2024 (Xinhua) -- Zhang Tiecheng poses for a photo at his studio in Beijing, capital of China, June 15, 2024. China's Jade carving art, which can date back to the Neolithic Age, reached its peak time in the Ming and Qing dynasties (1368-1911). The art was inscribed into the national intangible cultural heritage list in 2008. Selecting materials, designing and carving are the three major steps involved in jade carving. The craftsmen should have mastery in painting, carving and literature in order to complete an artwork, which is designed and carved according to the material itself and the aspiration of the artist. Most of the jade carving artworks convey auspicious meanings. Zhang Tiecheng, a master of the jade carving art born in Beijing in 1967, has devoted his love to traditional Chinese paintings since childhood. In 1987, he was enrolled in the Beijing Jade Articles Factory and became an apprentice of master Wang Yaotang. In his over 30 years' career, Zhang learned skills
            (MASTER OF CRAFTS)CHINA-CARVED LACQUER-INHERITOR-STUDIO (CN)

            (MASTER OF CRAFTS)CHINA-CARVED LACQUER-INHERITOR-STUDIO (CN)

            (240607) -- BEIJING, June 7, 2024 (Xinhua) -- Carved lacquer artworks are displayed at Zhu Jiang's studio in Gu'an, north China's Hebei Province, May 30, 2024. Carved lacquer, dating back to the Tang Dynasty (618-907), greeted its peak time in Ming and Qing dynasties (1368-1911). Since the founding of the People's Republic of China in 1949, Beijing and Yangzhou have become the two centers for the craft of carved lacquer, which was listed as a national-level intangible cultural heritage in 2006. Carved lacquer differs in its colors, namely red, black or multiple colors. Its making procedures include designing, body shaping, lacquer making, coating, drawing, carving and grinding. The craftsman needs to smoothly use various kinds of knives to carve patterns on the ware, and even a little miss can destroy the whole artwork. The craft can only be grasped through three to five years of practice. Therefore, it is also called "the art of time." Born in 1976, Zhu Jiang, an inheritor of the craft of carved lacque
              (MASTER OF CRAFTS)CHINA-CARVED LACQUER-INHERITOR-STUDIO (CN)

              (MASTER OF CRAFTS)CHINA-CARVED LACQUER-INHERITOR-STUDIO (CN)

              (240607) -- BEIJING, June 7, 2024 (Xinhua) -- Zhu Jiang reads a book on carved lacquer at his studio in Gu'an, north China's Hebei Province, May 30, 2024. Carved lacquer, dating back to the Tang Dynasty (618-907), greeted its peak time in Ming and Qing dynasties (1368-1911). Since the founding of the People's Republic of China in 1949, Beijing and Yangzhou have become the two centers for the craft of carved lacquer, which was listed as a national-level intangible cultural heritage in 2006. Carved lacquer differs in its colors, namely red, black or multiple colors. Its making procedures include designing, body shaping, lacquer making, coating, drawing, carving and grinding. The craftsman needs to smoothly use various kinds of knives to carve patterns on the ware, and even a little miss can destroy the whole artwork. The craft can only be grasped through three to five years of practice. Therefore, it is also called "the art of time." Born in 1976, Zhu Jiang, an inheritor of the craft of carved lacquer, le
                (MASTER OF CRAFTS)CHINA-CARVED LACQUER-INHERITOR-STUDIO (CN)

                (MASTER OF CRAFTS)CHINA-CARVED LACQUER-INHERITOR-STUDIO (CN)

                (240607) -- BEIJING, June 7, 2024 (Xinhua) -- Zhu Jiang designs a piece of carved lacquer artwork at his studio in Beijing, capital of China, June 5, 2024. Carved lacquer, dating back to the Tang Dynasty (618-907), greeted its peak time in Ming and Qing dynasties (1368-1911). Since the founding of the People's Republic of China in 1949, Beijing and Yangzhou have become the two centers for the craft of carved lacquer, which was listed as a national-level intangible cultural heritage in 2006. Carved lacquer differs in its colors, namely red, black or multiple colors. Its making procedures include designing, body shaping, lacquer making, coating, drawing, carving and grinding. The craftsman needs to smoothly use various kinds of knives to carve patterns on the ware, and even a little miss can destroy the whole artwork. The craft can only be grasped through three to five years of practice. Therefore, it is also called "the art of time." Born in 1976, Zhu Jiang, an inheritor of the craft of carved lacquer, l
                  (MASTER OF CRAFTS)CHINA-CARVED LACQUER-INHERITOR-STUDIO (CN)

                  (MASTER OF CRAFTS)CHINA-CARVED LACQUER-INHERITOR-STUDIO (CN)

                  (240607) -- BEIJING, June 7, 2024 (Xinhua) -- Zhu Jiang draws lines on a semi-finished carved lacquer ware at his studio in Beijing, capital of China, June 5, 2024. Carved lacquer, dating back to the Tang Dynasty (618-907), greeted its peak time in Ming and Qing dynasties (1368-1911). Since the founding of the People's Republic of China in 1949, Beijing and Yangzhou have become the two centers for the craft of carved lacquer, which was listed as a national-level intangible cultural heritage in 2006. Carved lacquer differs in its colors, namely red, black or multiple colors. Its making procedures include designing, body shaping, lacquer making, coating, drawing, carving and grinding. The craftsman needs to smoothly use various kinds of knives to carve patterns on the ware, and even a little miss can destroy the whole artwork. The craft can only be grasped through three to five years of practice. Therefore, it is also called "the art of time." Born in 1976, Zhu Jiang, an inheritor of the craft of carved l
                    (MASTER OF CRAFTS)CHINA-CARVED LACQUER-INHERITOR-STUDIO (CN)

                    (MASTER OF CRAFTS)CHINA-CARVED LACQUER-INHERITOR-STUDIO (CN)

                    (240607) -- BEIJING, June 7, 2024 (Xinhua) -- Carved lacquer artworks are displayed at Zhu Jiang's studio in Beijing, capital of China, June 5, 2024. Carved lacquer, dating back to the Tang Dynasty (618-907), greeted its peak time in Ming and Qing dynasties (1368-1911). Since the founding of the People's Republic of China in 1949, Beijing and Yangzhou have become the two centers for the craft of carved lacquer, which was listed as a national-level intangible cultural heritage in 2006. Carved lacquer differs in its colors, namely red, black or multiple colors. Its making procedures include designing, body shaping, lacquer making, coating, drawing, carving and grinding. The craftsman needs to smoothly use various kinds of knives to carve patterns on the ware, and even a little miss can destroy the whole artwork. The craft can only be grasped through three to five years of practice. Therefore, it is also called "the art of time." Born in 1976, Zhu Jiang, an inheritor of the craft of carved lacquer, learned
                      (MASTER OF CRAFTS)CHINA-CARVED LACQUER-INHERITOR-STUDIO (CN)

                      (MASTER OF CRAFTS)CHINA-CARVED LACQUER-INHERITOR-STUDIO (CN)

                      (240607) -- BEIJING, June 7, 2024 (Xinhua) -- Accessories with carved lacquer are displayed at Zhu Jiang's studio in Beijing, capital of China, June 5, 2024. Carved lacquer, dating back to the Tang Dynasty (618-907), greeted its peak time in Ming and Qing dynasties (1368-1911). Since the founding of the People's Republic of China in 1949, Beijing and Yangzhou have become the two centers for the craft of carved lacquer, which was listed as a national-level intangible cultural heritage in 2006. Carved lacquer differs in its colors, namely red, black or multiple colors. Its making procedures include designing, body shaping, lacquer making, coating, drawing, carving and grinding. The craftsman needs to smoothly use various kinds of knives to carve patterns on the ware, and even a little miss can destroy the whole artwork. The craft can only be grasped through three to five years of practice. Therefore, it is also called "the art of time." Born in 1976, Zhu Jiang, an inheritor of the craft of carved lacquer,