Yinka Shonibare's "Suspended States" Exhibition At Serpentine South In London

Yinka Shonibare's "Suspended States" Exhibition At Serpentine South In London

LONDON, UNITED KINGDOM - APRIL 11, 2024: A staff member looks at “Churchill”, “Decolonised Structures ” (2022-23) comprised of seven fibreglass sculptures of colonial figures, hand-painted with Dutch wax pattern during a photocall for Yinka Shonibare's "Suspended States" exhibition at Serpentine South in London, United Kingdom on April 11, 2024. The first solo exhibition of Shonibare’s work in a London public institution for over 20 years explores central themes of legacies of colonial power, sites of refuge and shelter as well as the ecological impact of colonisation, the European legacy of imperialism and consequential attempts at peace. (Photo by WIktor Szymanowicz/NurPhoto)

  • Product Code
  • ILEA002557040
  • Registered date
  • 2024/4/11 00:00:00
  • Credit
  • NurPhoto / Kyodo News Images
  • Media source
  • WIktor Szymanowicz/NurPhoto
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  • 5568 × 3712 pixel
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  • 300 dpi
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  • 3.56(MB)*
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    Yinka Shonibare's "Suspended States" Exhibition At Serpentine South In London

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    LONDON, UNITED KINGDOM - APRIL 11, 2024: A visitor looks at a new large-scale installation titled “War Library” (2024) consisting of 5,000 books bound in Dutch wax print representing conflicts and peace treaties during a photocall for Yinka Shonibare's "Suspended States" exhibition at Serpentine South in London, United Kingdom on April 11, 2024. The first solo exhibition of Shonibare’s work in a London public institution for over 20 years explores central themes of legacies of colonial power, sites of refuge and shelter as well as the ecological impact of colonisation, the European legacy of imperialism and consequential attempts at peace. (Photo by WIktor Szymanowicz/NurPhoto)
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      LONDON, UNITED KINGDOM - APRIL 11, 2024: A staff member stands among “Decolonised Structures” (2022-23) comprised of seven fibreglass sculptures of colonial figures such as Queen Victoria and Winston Churchill, hand-painted with Dutch wax pattern during a photocall for Yinka Shonibare's "Suspended States" exhibition at Serpentine South in London, United Kingdom on April 11, 2024. The first solo exhibition of Shonibare’s work in a London public institution for over 20 years explores central themes of legacies of colonial power, sites of refuge and shelter as well as the ecological impact of colonisation, the European legacy of imperialism and consequential attempts at peace. (Photo by WIktor Szymanowicz/NurPhoto)
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        Yinka Shonibare's "Suspended States" Exhibition At Serpentine South In London

        LONDON, UNITED KINGDOM - APRIL 11, 2024: Tamsin Hong, exhibitions curator, looks at "Wind Sculpture in Bronze, IV, 2024, during a photocall for Yinka Shonibare's "Suspended States" exhibition at Serpentine South in London, United Kingdom on April 11, 2024. The first solo exhibition of Shonibare’s work in a London public institution for over 20 years explores central themes of legacies of colonial power, sites of refuge and shelter as well as the ecological impact of colonisation, the European legacy of imperialism and consequential attempts at peace. (Photo by WIktor Szymanowicz/NurPhoto)
          Yinka Shonibare's "Suspended States" Exhibition At Serpentine South In London

          Yinka Shonibare's "Suspended States" Exhibition At Serpentine South In London

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            Yinka Shonibare's "Suspended States" Exhibition At Serpentine South In London

            Yinka Shonibare's "Suspended States" Exhibition At Serpentine South In London

            LONDON, UNITED KINGDOM - APRIL 11, 2024: A staff member looks at “Churchill”, “Decolonised Structures ” (2022-23) comprised of seven fibreglass sculptures of colonial figures, hand-painted with Dutch wax pattern during a photocall for Yinka Shonibare's "Suspended States" exhibition at Serpentine South in London, United Kingdom on April 11, 2024. The first solo exhibition of Shonibare’s work in a London public institution for over 20 years explores central themes of legacies of colonial power, sites of refuge and shelter as well as the ecological impact of colonisation, the European legacy of imperialism and consequential attempts at peace. (Photo by WIktor Szymanowicz/NurPhoto)
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                LONDON, UNITED KINGDOM - APRIL 11, 2024: A staff member stands among “Decolonised Structures” (2022-23) comprised of seven fibreglass sculptures of colonial figures such as Queen Victoria and Winston Churchill, hand-painted with Dutch wax pattern during a photocall for Yinka Shonibare's "Suspended States" exhibition at Serpentine South in London, United Kingdom on April 11, 2024. The first solo exhibition of Shonibare’s work in a London public institution for over 20 years explores central themes of legacies of colonial power, sites of refuge and shelter as well as the ecological impact of colonisation, the European legacy of imperialism and consequential attempts at peace. (Photo by WIktor Szymanowicz/NurPhoto)
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                      Yinka Shonibare's "Suspended States" Exhibition At Serpentine South In London

                      Yinka Shonibare's "Suspended States" Exhibition At Serpentine South In London

                      LONDON, UNITED KINGDOM - APRIL 11, 2024: A staff member looks at “Queen Victoria”, “Decolonised Structures ” (2022-23) comprised of seven fibreglass sculptures of colonial figures, hand-painted with Dutch wax pattern during a photocall for Yinka Shonibare's "Suspended States" exhibition at Serpentine South in London, United Kingdom on April 11, 2024. The first solo exhibition of Shonibare’s work in a London public institution for over 20 years explores central themes of legacies of colonial power, sites of refuge and shelter as well as the ecological impact of colonisation, the European legacy of imperialism and consequential attempts at peace. (Photo by WIktor Szymanowicz/NurPhoto)